flicking it into a flowerpot. ‘IRA. The lot of ’em.’
Ryan surveyed the long figure of Clara once more, spending an inordinate amount of time on two sizeable breasts, the outline of their raised nipples just discernible through white polyester.
‘You best come in,’ he said finally, lowering his gaze to inspect the bleeding knee. ‘Put somefin’ on that.’
That very afternoon there were furtive fumblings on Ryan’s couch (which went a good deal further than one might expect of a Christian girl) and the devil won another easy hand in God’s poker game. Things were tweaked, and pushed and pulled; and by the time the bell rang for end of school Monday Ryan Topps and Clara Bowden (much to their school’s collective disgust) were more or less an item; as the St Jude’s phraseology went, they were ‘dealing’ with each other. Was it everything that Clara, in all her sweaty adolescent invention, had imagined?
Well, ‘dealing’ with Ryan turned out to consist of three major pastimes (in order of importance): admiring Ryan’s scooter, admiring Ryan’s records, admiring Ryan. But though other girls might have balked at dates that took place in Ryan’s garage and consisted entirely of watching him pore over the engine of a scooter, eulogizing its intricacies and complexities, to Clara there was nothing more thrilling. She learnt quickly that Ryan was a man of painfully few words and that the rare conversations they had would only ever concern Ryan: his hopes, his fears (all scooter-related) and his peculiar belief that he and his scooter would not live long. For some reason, Ryan was convinced of the ageing fifties motto ‘Live fast, die young’, and, though his scooter didn’t do more than 22 m.p.h. downhill, he liked to warn Clara in grim tones not to get ‘too involved’, for he wouldn’t be here long; he was ‘going out’ early and with a ‘bang’. She imagined herself holding the bleeding Ryan in her arms, hearing him finally declare his undying love; she saw herself as Mod Widow, wearing black polo-necks for a year and demanding ‘Waterloo Sunset’ be played at his funeral. Clara’s inexplicable dedication to Ryan Topps knew no bounds. It transcended his bad looks, tedious personality and unsightly personal habits. Essentially, it transcended Ryan, for whatever Hortense claimed, Clara was a teenage girl like any other; the object of her passion was only an accessory to the passion itself, a passion that through its long suppression was now asserting itself with volcanic necessity. Over the ensuing months Clara’s mind changed, Clara’s clothes changed, Clara’s walk changed, Clara’s soul changed. All over the world girls were calling this change Donny Osmond or Michael Jackson or the Bay City Rollers. Clara chose to call it Ryan Topps.
There were no dates, in the normal sense. No flowers or restaurants, movies or parties. Occasionally, when more weed was required, Ryan would take her to visit a large squat in North London where an eighth came cheap and people too stoned to make out the features on your face acted like your best friends. Here, Ryan would ensconce himself in a hammock, and, after a few joints, progress from his usual monosyllabic to the entirely catatonic. Clara, who didn’t smoke, sat at his feet, admired him, and tried to keep up with the general conversation around her. She had no tales to tell like the others, not like Merlin, like Clive, like Leo, Petronia, Wan-Si and the others. No anecdotes of LSD trips, of police brutality or marching on Trafalgar Square. But Clara made friends. A resourceful girl, she used what she had to amuse and terrify an assorted company of Hippies, Flakes, Freaks and Funky Folk: a different kind of extremity; tales of hellfire and damnation, of the devil’s love of faeces, his passion for stripping skin, for red-hot-pokering eyeballs and the flaying of genitals — all the elaborate plans of Lucifer, that most exquisite of fallen angels,