William Monk 11 - Slaves of Obsession by Anne Perry Read Free Book Online Page A

think someone helped him … whatever he was.”
    “Did you know of him when he was alive?” Monk rose slowly also.
    “No. Learned the rest when we were looking into his death. Got too much to do to investigate prostitution, if they aren’t causing a public nuisance.” He shrugged. “Anyway, most of the time the ‘powers that be’ would rather we didn’t draw attention to it, and they’d certainly rather we didn’t take names and addresses.” He did not need to explain what he meant. “But let me know if you find out who did that to him, will you?”
    “I will,” Monk promised, picking his way through the piles of papers to the door. “Because I’d like you to meet up with him … and because I owe it to you.”
    It was early afternoon, and far too hot to be comfortable, when Monk reached the large house in Kensington which was Lawrence FitzAlan’s studio. The midsummer sun beat on the pavements, shimmering back in waves that made thevision dance. The gutters were dry and the unswept manure was pungent in the air.
    The maid who answered the door was remarkably pretty, and Monk wondered if FitzAlan painted her as well. He had already decided how he would approach the artist, and had no compunction whatever in lying. Perhaps based quite unfairly on Walters’s anger, he had formed a dislike of FitzAlan.
    “Good afternoon,” he said as charmingly as he could, and he knew that was very effective indeed; he had used it often enough. “I should very much like to have a portrait painted of my wife, and so I have naturally come to the finest artist I know of. May I make an appointment to see Mr. FitzAlan at his earliest convenience? Unfortunately, I am in London only a short while before returning to Rome for a month or two.”
    She looked at him with interest. With his dark hair and lean face he filled her idea of a mysterious Italian very well. She invited him into an ornate hall in which were several expensive pieces of statuary, and went to tell her master of the visitor.
    FitzAlan was a flamboyant man with a high sense of his own talent, which Monk could see, having glanced at the canvases in his studio, was very real. Five were turned face out in various places, hung or stacked so they were well displayed, although to the casual eye they appeared to be placed with no regard. The draftsmanship was excellent, the play of light and shade dramatic, the faces arresting. In spite of himself Monk found his eye going to them instead of to FitzAlan.
    “You are an art lover!” FitzAlan said with satisfaction.
    Monk could imagine him playing this scene with every visitor, always the slight surprise in his voice, as though the world were peopled with Philistines.
    Monk forced himself to meet FitzAlan’s gaze. The artist was not tall, but he was a big man, broad-shouldered, in his fifties and now running to paunch. His gingerish hair had faded but there was still plenty of it, and he wore it affectedly long. It was a proud face, strong-featured, self-indulgent.
    It galled Monk to flatter him, but it was necessary if he were to remain long enough to learn what he wanted to.
    “Yes. I apologize for my discourtesy, but your paintings took my eye, regardless of my intention to be civil. Forgive me.”
    FitzAlan was pleased. “You are forgiven, my dear sir,” he said expansively. “You wish for a portrait of your wife?”
    “Rather more than that, actually. A friend of mine saw a very remarkable painting of a young man, done by you,” Monk replied, making himself smile disarmingly. “But he was unable to purchase it because the owner, very naturally, would not sell. I wondered if you had any others of the same subject I might tell him of. He is very anxious to possess one. In fact, it is something of an obsession with him.”
    FitzAlan appeared suitably flattered. He tried to hide it, but Monk had assumed that his hunger for praise was far from filled even by the fame he already enjoyed.
    “Ah!” he said,