less than a week to discover she hated it, though she stuck it out for six months.
âIâm no good,â she told a girlfriend. âI hate having to be pushy, and pester journalists to write about people, and I hate it even more when they pester back. And all these stupid parties! I canât afford a full-time nanny now; I have to be home with the kids. Besides, Iâve never been much good at the social scene. I canât think of any small talk. I just start boring on about the twinsâ school reports, or my broken washing machine, and people look blank, and I donât blame them. I wish there was something I could do where I could be polite. And no parties.â
âThereâs publishing,â said her friend thoughtfully. âThatâs still fairly polite. On the surface.â
âWhat about the parties?â
âYou neednât go if you donât want to. Most launches are just given to pretend to the writer youâre doing something: they donât actually matter. Of course, the writers all think theyâre stars, which is a pain, but that doesnât matter either because no one else thinks so. And the important thing about publishing PR is that nobody expects you to be any good at it. Itâs always been the job for Sloanes, particularly those with literary connections. Serious PR types give it a miss.â
âIâm not a Sloane with literary connections.â
âIrrelevant. Itâs who-you-know, darling.â
âI donât know anyone in publishing,â Lin pointed out.
âI do.â
And so Lin came to Ransome Harber, sinking into the unglamorous background as into a haven. (On reflection, you shouldnât sink into a haven. Perhaps she just moored.) Georgie has enough push for the entire department, indeed for several departments, and she quickly learned to make use of Linâs admin skills. Lin is the sort of person who writes everything down, makes lists of every contact, never forgets an appointment, never loses a file. Nobody minded if she didnât attend most of the parties. And authors, she discovered, are far less demanding than real stars. They have to live in the everyday world in order to write about it (except for Jerry Beauman); film stars and their ilk can only afford their otherdimensional existence because they donât write the script. And while Lin settled comfortably into the world of publishing, juggling job and children, inevitably she lost touch with old friends of Garryâs who had only ever considered her in the light of a supporting role and, as such, dispensable. Mind you, Linâs one of the few people I have ever met who genuinely wants to play supporting roles, and always shies away from the centre stage.
Chapter 2
I never nursed a dear gazelle
To glad me with its dappled hide,
But when it came to know me well
It fell upon the buttered side.
THOMAS HOOD Jr: Muddled Metaphors
Before I move on to Georgie, letâs stand back from them both for a minute. If this were a more serious kind of book, now would be a good moment to make a point about life, and destiny, and everything. If I had, as they say, the pen of George Eliot, instead of the PC of Emma Jane Cook, Iâd take the opportunity for a quick moralise. Of course, modern writers donât do that, moralising is out of fashion: they just throw in another lavatory scene instead. Personally, when Iâm on the loo I read Vogue , possibly in the hope that the sight of all those super-thin models might drop a hint to my metabolism. Anyway, I shanât attempt to moralise, but letâs just take a second for a spot of philosophy. Getting me into practice for the Great Novel Iâm going to write one day.
What Iâm trying to say is, Lin is the sort of person to whom things just happen. She doesnât make them happen, she doesnât necessarily want them to happen, but the current of events picks her up and sweeps her
Julia Crane, Stacey Wallace Benefiel, Alexia Purdy, Ednah Walters, Bethany Lopez, A. O. Peart, Nikki Jefford, Tish Thawer, Amy Miles, Heather Hildenbrand, Kristina Circelli, S. M. Boyce, K. A. Last, Melissa Haag, S. T. Bende, Tamara Rose Blodgett, Helen Boswell, Julie Prestsater, Misty Provencher, Ginger Scott, Milda Harris, M. R. Polish