what steps to dance." He put his hand on his chest, and the drummer executed a long, showy roll, which got a laugh from those watching, and a grin from Cheever himself.
"Boss Conrad and his kin, they learned round dancin' because where they come from it's what polite people learn to dance. Me, I learned in a piloting seminar because we was bored and needed some legal way to work it off. That being the case, the cues are a little different.
"So, what we're gonna do is show you a round dance like Boss Conrad learned it, and then a cue dance like I did."
"Where'd Miri learn how?" somebody—Pat Rin didn't recognize the voice—called from the back.
"From the Boss' brother," Miri sang back. "You?"
The drummer hit the block twice and struck the cymbal hard, to general laughter.
"Any more questions?" Cheever called, and continued without taking a breath. "Fine. We're ready whenever the band gets around to it."
Immediately, the omnichora launched six bright notes, like skyrockets, toward the hidden winter sky, the fiddle player spun clear around and enthusiastically put her bow across the strings, the guitarist plucked out a quick pattern of sound and the drummer beat the rim, counting out three, six, twelve.
The music shifted, twisted, slowed...
"Bow to your partner," Cheever directed, against the mannerly rising of "Tiordia's Stroll."
Pat Rin received Nova's bow, bowing to her in turn. At Cheever's instruction, they joined hands, crossed, turned, and slid two steps forward, two steps right, three steps backward, three left, crossed, turned, and changed partners. Pat Rin's left hand slipped out of Nova's as his right hand met Priscilla's. He and his new partner stepped together, then apart, changed sides and danced four steps left and five steps back, six steps forward, four steps right...
Relaxed and smiling, Pat Rin performed his part in the dance with ease, warmed and oddly comforted by the familiar movements. He did, in that portion of his mind neither attentive to nor lulled by the dance, own himself astonished to find Cheever McFarland so able a dance master. Truly , he thought, as he and Priscilla crossed and turned; there is no end to the good pilot's talents....
The dance continued its pleasant course, until each dancer had partnered with every other dancer in the set. Perfectly on-cue, he left Luken's side, his hand finding Nova's precisely on the beat. They turned, crossed, and dropped hands to the caller's commands, and bowed, holding it for twelve beats, and straightening just as the last note from the 'chora trembled into silence.
The room was entirely quiet as they straightened, and in that moment, Pat Rin saw his mother, attended now by no one less than Portmaster Liu. Her face was calm, perhaps even relaxed, as if the dance had soothed her as well. She inclined her head slightly in his direction, then turned to address the Portmaster.
A wholly unexceptional procedure, Pat Rin thought, and not at all too much effort to expend for the pleasure of one's host. He was slightly warm, but nothing that another glass of cider couldn't put—
"All right," Cheever McFarland was saying, his big voice shattering the quiet. "That's what a round dance looks in Boss Conrad's old turf. Now we're gonna show you how I learned it. First thing you'll notice is different, is the cues. Pilots, they can't leave anything alone if there's a way to maybe tweak it. Next thing you'll notice is there's some extra bits added in, 'cause pilots tend toward boredom and makin' trouble if they don't have six things to do at the same time."
Pat Rin frowned and turned to cock an eyebrow at Nova, who replied with a bland glance that would have done justice to his mother.
"Last thing," Cheever was saying, "is that pilots? They're competitive. So this