else?â he said.
âI donât know.â
âYouâve seen no other mannequins? No other figures, naked or otherwise?â
âNone, absolutely.â
âWhen you arrived,â he said. âWhat did you see?â
âThe land, the sky, the buildings. The car driving off.â
âWhat else?â
âI think I told you. Two men at the entrance waiting to escort me. I didnât see them until I approached. Then a security check, thorough.â
âWhat else?â
I thought about what else. I also wondered why we were having this idle talk under these dire circumstances. Is this what happens in the midst of terminal matters? We retreat into neutral space.
âYou saw something else, off to the side, maybe fifty meters away, before you entered the building.â
âWhat did I see?â
âTwo women,â he said. âIn long hooded garments.â
âTwo women in chadors. Of course. Just standing there in the heat and dust.â
âThe first glimpse of art,â he said.
âNever occurred to me.â
âStanding absolutely still,â he said.
âMannequins,â Artis said.
âTo be seen or not seen. Doesnât matter,â he said.
âI never imagined they werenât real people. I knew the word. Chadors. Or burqas. Or whatever the other names. This was all I needed to know.â
I reached forward and took a teacup from Ross and handed it to Artis. We three. Someone had trimmed and combed her hair, clipping it close to the temples. This seemed almost a rule of order, accentuating the drawn face and stranding the eyes in their dilated state. But I was looking too closely. I was trying to see what she was feeling, in spirit more than body and in the wisping hesitations between words.
She said, âI feel artificially myself. Iâm someone whoâs supposed to be me.â
I thought about this.
She said, âMy voice is different. I hear it when I speak in a way thatâs not natural. Itâs my voice but it doesnât seem to be coming from me.â
âMedication,â Ross said. âThatâs all it is.â
âIt seems to be coming from outside me. Not all the time but sometimes. Itâs like Iâm twins, joined at the hip, and my sister is speaking. But thatâs not it at all.â
âMedication,â he said.
âThings come to mind that probably happened. I know at a certain age we remember things that never took place. This is different. These things happened but they feel mistakenly induced. Is that what I want to say? An electronic signal gone wrong.â
Iâm someone whoâs supposed to be me .
This was a sentence to be analyzed by students of logic or ontology. We waited for her to continue. She spoke in serial fragments now, with stops or rests, and I found myself lowering my head in a sort of prayerful concentration.
âIâm so eager. I canât tell you. To do this thing. Enter another dimension. And then return. For ever more. A word I say to myself. Again and again. So beautiful. For ever more. Say it. And say it. And say it.â
The way she cradled her teacup, an heirloom that needed protecting, and to hold it awkwardly or set it down carelessly would betray generational memories.
Ross sitting here in his green-and-white gym suit with possibly matching jockstrap.
âForevermore,â he said.
It was my turn now and I managed to whisper the word. Then her hands began to shake and I put my cup down and reached for her cup and handed it to my father.
â¢Â  â¢Â  â¢
I was afraid of other peopleâs houses. After school sometimes a friend might talk me into going to his house or apartment to do our homework together. It was a shock, the way people lived, other people, those who werenât me. I didnât know how to respond, the clinging intimacy of it, kitchen slop, pan handles jutting from the sink. Did I
M. S. Parker, Cassie Wild
Robert Silverberg, Damien Broderick