Burns's office. Max's lawyer of thirty years had informed her this morning that Max's two kids were going to contest the will. They were going to hold her up, fight her for a bigger piece of the pie. And that did depress her.
"You have three options, Birdie." He put up three arthritic fingers to emphasize them. "You can fight, you can make a deal, or you can try to wait them out. You're young, and you have your allowance." He lifted his shoulders. "They could hold you up for a very long time, but so could you. Why don't you take a few days to think about what you want to do and let me know."
She opened her mouth to speak, but he stopped her.
"There's no hurry, dear. Take your time."
Birdie had left the office and headed uptown. Back in Max's favorite post in the paneled library of his fifteen-room Park Avenue apartment, she picked up the last photo taken of him, taken only a few months ago in Palm Beach. He'd looked strong, healthy, and a good fifteen years younger than eighty-one. He was still a handsome man with a full head of hair. "Max, what do you want me to do?" she whispered. "Fight or flight?"
Max's desk was a huge
bureau plat
of the Louis XIV period with lots of ormolu. The desk was genuine. The large leather chair behind it was of a more recent vintage. The library table and club chairs were English. The rugs were two complementary Persian garden carpets with blue borders. The curtains that framed the eight-foot French windows were made of shimmering red-and-gold silk damask and edged with two varieties of silk tassels and braid. Everything was too ornate and grandiose for her taste, but had suited Max perfectly.
Birdie still couldn't believe he was gone. She'd expected him to remain vigorous for another ten years, then fade slowly for another five. She'd fully expected them to scale down during his lifetime. Simplify. She had no interest in the three houses he'd left her or the antiques his children thought belonged to them. Max didn't give her a sign, so she began listening to her messages.
"Mrs. Bassett, this is Carla in President Warmsley's office at York U. President Warmsley asked me to call you to confirm for Monday night. Could you give me a call at nine-nine-five-six-four-eight-two. Thank you."
Birdie punched three for delete, then listened to her next message.
"Birdie, this is Steven Speel at MOMA. I'm calling to set up a lunch with you and Marilyn. She's available Thursday of next week. Would you give me a call when you have a moment? Seven-five-one-four-four-eight-nine."
Steven Speel reeled off the numbers at twice the speed of the rest of the message, and Birdie got only the first three. She had to listen to the message again and again before she got them all. She hated it when people did that.
The next two were personal requests that she take tables at forthcoming benefits to which Max had supposedly pledged his support. But how would she know if he really had? Twenty thousand for the Emerald Dinner at the Museum of Natural History sounded possible. They'd gone before. But fifteen thousand for BAM? Birdie could not recall ever seeing the Brooklyn Academy of Music on Max's foundation's donor list.
Another call was from the Psychoanalytic Institute. What the hell was that? She listened to it with Max's heavy pen suspended over his ornate message pad. The pleasant voice of a Dr. Jason Frank invited her to lunch so that he and the foundation chairman could personally thank her for Max's generous bequest last year and encourage her to consider taking his place on the board. What? Birdie hadn't even known that Max had been on such a board. She shook her head at the latest revelation.
Max had been retired, but he'd been busy every day, running his own sizable foundation with virtually no staff and no board members to keep track of his activities. The foundation had no brochure, no guidelines for grant proposals, no procedure for donors, and far fewer documents than there should have been.
While