door and that something had once been a living, breathing human being who wound up entombed in a hollow log. If we got involved in the case, it would have to be with eyes wide open that our client sought us out for reasons yet to be revealed. Those reasons could be to keep something hidden rather than bring it to light.
I leaned back in the leather chair. âInteresting, disingenuous, deceitful. Pick a word.â
Nakayla slipped her shoes off and sat on the sofa with her bare feet tucked under her. âYou want to walk away?â
âNot until I know what Iâm walking away from.â
âI think itâs about the rifle.â
âI agree. I think if we hadnât asked what else was stolen, she would have worked it in. But the way it played, she mentioned it in response to a question.â
âWhy mention it at all?â
I thought for a moment. âSheâs setting the stage for something yet to happen. Another shoeâs going to drop.â
âThe skeletonâs got to be her father and sheâs protecting her mother.â
âThatâs my guess. Get the rifle out of the house before the date of death.â
Nakayla frowned. âWhy not get the body out of the log? Bury it in those woods? There were probably root cellars left from the Kingdom. Dig a hole at the bottom of one of them and no one would ever find it.â
âAnd why fabricate such an elaborate story about this Doris Ulmann and Julia Peterkin? The best lie is the simplest lie.â
âMaybe it was the simplest lie,â Nakayla said. âMarsha had to have a reason to resurrect a forty-five-year-old burglary. Sheâs right about the value of those photographs increasing.â
I looked past Nakayla to the door our visitor had exited. âSo, you believe her?â
âI believe sheâs in trouble. Or thinks she is.â
I nodded. âI agree. Iâm prone to accept her as a client.â
âYou sure?â
âWhat else are we going to do? The phoneâs not exactly ringing off the hook.â
âYouâre right. And we know itâs not forwarded.â
âSmartass.â I stood. âYou can start checking into Marsha Montgomeryâs background. Find out whatâs fact and whatâs fiction. Meanwhile, weâll hold off deciding to take the case until I get back.â
âWhere are you going?â
âTo surprise Lucille Montgomery. Letâs see how well the motherâs story corroborates the daughterâs.â
***
I drove up to the unmanned guardhouse and stopped just short of the red and white crossbar. The entry to the Golden Oaks Retirement Center had been strategically installed at the base of a mountain in Arden, a small town about ten miles outside of Asheville. It was better to turn a car away there before it had to negotiate the winding switchbacks to the summit. Golden Oaks brought senior citizens closer to heaven in more ways than one.
I rolled down my window and pushed a silver button beside a speaker in the guardhouse wall.
âWelcome to Golden Oaks. How can I help you?â The womanâs voice was friendly but officious.
âIâm here to see Ron Kline.â
âIs Mr. Kline expecting you?â
âTell the Captain that Sam Blackman is on his trail.â
The woman laughed. âSam, why didnât you say so?â
The crossbar rose.
âCome on up. Do you want me to warn him? Heâs with his bevy of beauties.â
âNo. Better not disturb a sultan when heâs with his harem.â
She laughed again. âYou think youâre joking? Youâll find him in the TV room.â
Ron Kline, aka Captain, had to be in his late eighties or early nineties. Nakayla and I met him during the course of our first case when circumstances led us to one of the residents of Golden Oaks. Captain had actually risen to the rank of Colonel, and as a former Chief Warrant Officer myself, we