marriage in San Diego was true. But it seemed that for both of them to remain true they had to exist separately, one as history, one as now, and that if she disclosed the history, then those two truths added together would somehow produce a lie which in turn would call for more analysis than she cared to give. Or than she cared for her husband to give. So she would simply look at the picture of herself at sixteen, then put it away, in an old compact at the bottom of her jewelry box.
The picture had been cut out of the high school yearbook. Her blonde hair had been short then, an Italian boy; her face was tilted down and to one side, she was smiling at the camera, and beneath her face, across her sweater, was written: Good piece .
It had been thumbtacked to the bulletin board approximately two years after she had lost her virginity, parked someplace with a boy she loved. When they broke up she was still fifteen, a long way from marriage, and she wanted her virginity back. But this was impossible, for he had told all his friends. So she gave herself to the next boy whose pledge was a class ring or football sweater, and the one after that (before graduation night there were three of them, all with loose tongues) and everyone knew about Bobbie Huxford and she knew they did.
She never found out who put the picture on the bulletin board. When she got to school that day, a group of students were standing in the hall; they parted to let her through. Then she met the eyes of a girl, and saw neither mischief nor curiosity but fascination. A boy glanced at the bulletin board and quickly to the floor, and Bobbie saw the picture. She walked through them, pulled out the thumbtacks, forcing herself to go slowly, taking out each one and pressing it back into the board. She dropped the picture into her purse and went down the hall to her locker.
So at graduation she was not leaving the camaraderie, the perfunctory education, the ball games and dances and drives on a Sunday afternoon; she was leaving a place where she had always felt watched, except when Sherri King had been seduced by an uncle and somehow that word had got out. But the Kings had moved within a month, and Bobbieâs classmates went back to watching her again. Still there was nostalgia: sitting on the stage, looking at the audience in the dark, she was remembering songs. Each of her loves had had a song, one she had danced to, pressed sweating and tight-gripped and swaying in dance halls where they served beer to anyone and the juke box never stopped: Nat âKingâ Cole singing âSomewhere Along the Way,â âTryingâ by the Hilltoppers, âYour Cheatinâ Heartâ by Joni James, all of them plaintive songs: you drank two or three beers and clenched and dipped and weaved on the dance floor, and you squeezed him, your breasts against his firm narrow chest feeling like your brassiere and wrinkled blouse and his damp shirt werenât even there; you kept one hand on the back of his neck, sweat dripped between your fused cheeks, and you sang in nearly a whisper with Joni or Nat and you gave him a hard squeeze and said in his ear: I lave you, Iâll love you forever .
She had not loved any of them forever. With each one something had gone sour, but she was able to look past that, farther back to the good times. So there was that: sitting on the stage she remembered the songs, the love on waxed dance floors. But nostalgia wasnât the best part. She was happy, as she had been dancing to those songs that articulated her feelings and sent them flowing back into her blood, her heart. This time she didnât want to hold anyone, not even love anyone. She wanted to fly: soar away from everything, go higher than rain. She wanted to leave home, where bright and flowered drapes hung and sunlight moved through the day from one end of the maroon sofa to the other and formed motes in the air but found dustless the coffee table and the Bible that
Jill Myles, Jessica Clare