painless one, and clenches it again.
“No pastarán,” she says. “We’re going to get on fine. I’m going to be the perfect guest. Three days maximum. Radiant! Tomorrow, then. High noon.” They arrange to rendezvous in the car park of the Zone superstores near the airport’s Charles III terminus. “Just sit and wait. I’ll find you,” she says. “There’s no mistaking that creepy van of yours.” Now she tilts her face again and smiles. “Let’s see that Texas photograph.” She leans across, her hair in his face. His hand is on her arm. Good mates, no more than that. They talk and smoke until the lights come on, this naught percenter and this child that might have been his own. They seem unlikely comrades, sitting damply with their drinks, more drinks than he can manage, their two hats on their laps providing the beer yard with its only vividness: red beret, yellow cap.
4
LEONARD IS NOT SORRY to get back to the van and be himself again. Those hours spent behind the Woodsman, so thrilling and so promising at first, have left him cornered rather than resolved. He is relieved, though, to find that his van has been neither clamped nor towed. Throughout his meeting with Lucy Emmerson he has never quite forgotten the single yellow restricted parking line running under its nearside tires and has worried what ingenious excuses he might have to offer Francine to explain why he is so unexpectedly late home. He cannot tell her he has ended up, expensively, at a City Highways car pound after an afternoon of drinking and smoking with a pretty teenage girl. A more likely delay, given his white lies of that morning, would be having the vehicle locked in by careless rangers at some unattended forest clearing. But, thankfully, the van is untouched. He can save his inventions for some other occasion. For a moment only, his spirits lift. This trip has not proved to be an entire disaster. Not yet, at least. Not if he can go back on his promise. He knows he will, he knows he must. Leonard flushes hot and cold at the prospect. What folly has he promised Lucy Emmerson? Pressed up close together on that wooden bench, conspirators, he has abandoned his good sense. On the journey back, he can concoct the most convincing reasons for his change of heart, something that will satisfy both the girl and himself, though nothing he does now—including speeding or taking risks, as he has just done, pulling out too carelessly into lively traffic—will get him home before his wife as he has promised.
Leonard knows the law. He should not be driving at all: 25 centiliters of wine is the limit and he has drunk three times that volume. And on an empty stomach. He’s risking a suspension. But it is only early evening, not quite dark yet. Random checks are not usually deployed until much later. He will avoid the motorways, however, where there are robot eyes to monitor the vehicles, and return the way he came, on rural routes. First, though, he turns the van round, drives back toward the hostage house, and parks again on the fringes of the mobile village with its circle of incident and rescue vehicles. Something pulls him there, something that he hopes is more than prurience. He is only idling, in both senses. He does not even turn the engine off or get out of the van. Instead, he reaches for his thermos under the passenger seat, where it has rolled and been forgotten during the jazz-fueled journey down. The lime-and-honey-flavored green tea is tepid and cloudy. It is reviving, though, and, he imagines, sobering. If he is stopped and questioned by the police (or Francine, come to that) because his driving or behavior is erratic, his grape-and-tobacco breath will have been partly cleansed and sweetened and might not betray him. Everything he does from now on until the lights go out tonight must help erase the day.
The parking ground is no less busy than it was this morning. Groups of officers come back off shifts, expressionless. Young men and
Stop in the Name of Pants!