Blevins.
Rawlins stared at him bleakly and turned away.
John Grady Cole, said John Grady. This here is Lacey Rawlins.
The kid nodded. He went on chewing.
We’re from up around San Angelo, said John Grady.
I aint never been up there.
They waited for him to say where he was from but he didnt say.
Rawlins swabbed out his plate with a crumbly handful of thecornbread and ate it. Suppose, he said, that we wanted to trade that horse off for one less likely to get us shot.
The kid looked at John Grady and looked back out to where the cattle were standing. I aint tradin horses, he said.
You dont care for us to have to look out for you though, do you?
I can look out for myself.
Sure you can. I guess you got a gun and all.
He didnt answer for a minute. Then he said: I got a gun.
Rawlins looked up. Then he went on spooning up the cornbread. What kind of a gun? he said.
Thirty-two twenty Colt.
Bullshit, said Rawlins. That’s a rifle cartridge.
The kid had finished eating and sat swabbing out his plate with a twist of grass.
Let’s see it, said Rawlins.
He set the plate down. He looked at Rawlins and then he looked at John Grady. Then he reached into the bib of his overalls and came out with the pistol. He rolled it in his hand with a forward flip and handed it toward Rawlins butt-first upside down.
Rawlins looked at him and looked at the pistol. He set his plate down in the grass and took the gun and turned it in his hand. It was an old Colt Bisley with guttapercha grips worn smooth of their checkering. The metal was a dull gray. He turned it so as to read the script on top of the barrel. It said 32-20. He looked at the kid and flipped open the gate with his thumb and put the hammer at halfcock and turned the cylinder and ran one of the shells into his palm with the ejector rod and looked at it. Then he put it back and closed the gate and let the hammer back down.
Where’d you get a gun like this? he said.
At the gittin place.
You ever shot it?
Yeah, I shot it.
Can you hit anything with it?
The kid held out his hand for the pistol. Rawlins hefted it in his palm and turned it and passed it to him.
You want to throw somethin up I’ll hit it, the kid said.
Bullshit.
The kid shrugged and put the pistol back in the bib of his overalls.
Throw what up? said Rawlins.
Anything you want.
Anything I throw you can hit.
Yeah.
Bullshit.
The kid stood up. He wiped the plate back and forth across the leg of his overalls and looked at Rawlins.
You throw your pocketbook up in the air and I’ll put a hole in it, he said.
Rawlins stood. He reached in his hip pocket and took out his billfold. The kid leaned and set the plate in the grass and took out the pistol again. John Grady put his spoon in his plate and set the plate on the ground. The three of them walked out onto the plain in the long morning light like duelists.
He stood with his back to the sun and the pistol hanging alongside his leg. Rawlins turned and grinned at John Grady. He held the billfold between his thumb and finger.
You ready, Annie Oakley? he said.
Waitin on you.
He pitched it up underhanded. It rose spinning in the air, very small against the blue. They watched it, waiting for him to shoot. Then he shot. The billfold jerked sideways off across the landscape and opened out and fell twisting to the ground like a broken bird.
The sound of the pistolshot vanished almost instantly in that immense silence. Rawlins walked out across the grass and bent and picked up his billfold and put it in his pocket and came back.
We better get goin, he said.
Let’s see it, said John Grady.
Let’s go. We need to get away from this river.
They caught their horses and saddled them and the kid kicked out the fire and they mounted up and rode out. They rode side by side spaced out apart upon the broad gravel plain curving away along the edge of the brushland upriver. They rode without speaking and they took in the look of the new country. A hawk in the top of
Marguerite Henry, Bonnie Shields