came into his head – one of those merciless evocations of sadness and isolation that the poet was so good at. This was hardly a moated grange but the dreariness was the same, and Morwenna certainly looked every bit as weary as the Mariana of the poem’s title – weary, and tired of life.
Archie had no idea what she needed to talk to him about so confidentially, but it would take more than kind words and sympathy to alleviate the depth of misery he sensed in her. He finished his tea and decided to go inside: on such a hot day, he and Morwenna might stand more chance of finding some peace and quiet there. In the front parlour, where all the food for the wake had been laid out on borrowed trestle tables, he found yet another crowd of people but Morwenna was notamong them. He tried to push his way further into the room, but his path was blocked by two of his fellow bearers. The elder man, Joseph Caplin, was obviously drunk – although as far as Archie could remember, he had not been truly sober since the break-up of his family – and it was the younger of the two who spoke first.
‘Well, if it isn’t the famous Inspector,’ he said sarcastically. ‘We are honoured, although I’d have put money on the fact that you’d come sniffing round Morwenna again the minute she was on her own.’ Archie ignored the bait. Simon Jacks – or ‘Kestrel’ as the gamekeeper was usually known – had always hated him and his friendship with Morwenna was top of a long list of reasons. Jacks had always wanted her and, just after the fire, when he thought Morwenna was vulnerable, he had pursued her so relentlessly that she had begged Harry to make him back off. Usually, Jacks took his resentment out on the woman he eventually married, but today he seemed happy to share it with Archie. ‘She’s got friends here, you know, and she certainly doesn’t need you, so do us all a favour and fuck off back to London.’
Jacks’s wife – a tired-looking woman with thin, mousy hair and no light in her eyes – opened her mouth to say something but Jacks silenced her with a look. For her sake, Archie tried not to let his diminishing patience get the better of him. He turned his back on the insult, and noticed with relief that Lettice and her father were over by the food, talking to Mrs Snipe. Before he could join them, though, a child’s voice cut through the room with a lightness more appropriate to a birthday party than a wake.
‘Don’t forget to leave some food for Harry.’
Everyone turned to look at Loveday with the same mixtureof embarrassment and horror that had greeted her laughter in church. In the stillness that followed, Archie could hear the ticking of the clock from the hall and the insistent tapping of a fly against the window. In the end, it was Mrs Snipe who broke the silence. ‘Don’t you worry, my love, there’s plenty to go round,’ she said breezily, as if the girl had said nothing out of place. ‘Why don’t you come through to the pantry with me and I’ll show you what we’ve got in there.’
She led the girl away and the sound of voices built gradually again. Lettice grimaced at Archie from the other side of the table. ‘I know actresses who’d kill for an exit line like that,’ she called, picking up a bread roll smothered with jam and cream. ‘Isn’t it nice to be back?’
He laughed, glad to share a moment of normality, but the respite was short-lived. Joseph Caplin had climbed unsteadily on to a chair and was striking an empty whisky bottle with a knife to get the room’s attention. What was it about the British that made them insist on this excruciating moment at any wedding or funeral, Archie wondered, trying to remember if he had ever been to one which did not reduce somebody’s past or future to a drunken display of emotion.
‘Ladies and gentlemen,’ Caplin slurred, not quite sober enough to focus on anyone in particular. ‘I’d like you to raise your glasses – to the death of Harry