Boldero. Heâll either laugh at your idea or take it and give you nothing for it. Still,â he looked at his son over the top of his spectacles, âif by any conceivable chance you ever should become rich; if, if, if . . .â And he emphasized the remoteness of the conditional by raising his eyebrows a little higher, by throwing out his hands in a dubious gesture a little farther at every repetition of the word, âif â why, then Iâve got exactly the thing for you. Look at this really delightful little idea I had this afternoon.â He put his hand in his coat pocket and after some sorting and sifting produced a sheet of squared paper on which was roughly drawn the elevation of a house. âFor any one with eight or ten thousand to spend, this would be â this would be . . .â Gumbril Senior smoothed his hair and hesitated, searching for something strong enough to say of his little idea. âWell, this would be much too good for most of the greasy devils who do have eight or ten thousand to spend.â
He passed the sheet to Gumbril Junior, who held it out so that both Mr Porteous and himself could look at it. Gumbril Senior got up from his chair and, standing behind them, leant over to elucidate and explain.
âYou see the idea,â he said, anxious lest they should fail to understand. âA central block of three stories, with low wings of only one, ending in pavilions with a second floor. And the flat roofs of the wings are used as gardens â you see? â protected from the north by a wall. In the east wing there is the kitchen and the garage, with the maidsâ rooms in the pavilion at the end. The west is a library, and it has an arcaded loggia along the front. And instead of a solid superstructure corresponding to the maidsâ rooms, thereâs a pergola with brick piers. You see? And in the main block thereâs a Spanish sort of balcony along the whole length at first-floor level; that gives a good horizontal line. And you get the perpendiculars with coigns and raised panels. And the roofâs hidden by a balustrade, and there are balustrades along the open sides of the roof gardens on the wings. All in brick it is. This is the garden front; the entrance front will be admirable too. Do you like it?â
Gumbril Junior nodded. âVery much,â he said.
His father sighed and taking the sketch put it back in his pocket. âYou must hurry up with your ten thousand,â he said. âAnd you, Porteous, and you. Iâve been waiting so long to build your splendid house.â
Laughing, Mr Porteous got up from his chair. âAnd long, dear Gumbril,â he said, âmay you continue to wait. For my splendid house wonât be built this side of New Jerusalem, and you must go on living a long time yet. A long, long time,â Mr Porteous repeated; and carefully he buttoned up his double-breasted coat, carefully, as though he were adjusting an instrument of precision, he took out and replaced his monocle. Then, very erect and neat, very soldierly and pillarboxical, he marched towards the door. âYouâve kept me very late to-night,â he said. âUnconscionably late.â
The front door closed heavily behind Mr Porteousâs departure. Gumbril Senior came upstairs again into the big room on the first floor smoothing down his hair, which the impetuosity of his ascent had once more disarranged.
âThatâs a good fellow,â he said of his departed guest, âa splendid fellow.â
âI always admire the monocle,â said Gumbril Junior irrelevantly. But his father turned the irrelevance into relevance.
âHe couldnât have come through without it, I believe. It was a symbol, a proud flag. Povertyâs squalid, not fine at all. The monocle made a kind of difference, you understand. Iâm always so enormously thankful I had a little money. I couldnât have stuck it