opened the door on his side. âOut!â
âBut this neighborhood isââ
âYouâre a big bad boy. You can take care of yourself.â
âCharlieââ
Her voice got low, and he slid out of the car, stood on the street as the door slammed shut and she took off. A block away the car came to a screeching halt. It stayed there idling, in the middle of the street. Not that there was any traffic this time of the morning. But still.
Whitman loped after her, feeling as foolish and giddy as a high school kid with his first crush.
When he reached the car, the doors were locked. He bent down and peered in. She was staring straight ahead. He wanted to tap on the glass, but instinct warned him otherwise. In a moment, her head turned and she stared directly at him. He tried like hell to read her expression, without success.
Keeping her eyes on him, her left hand moved and the electronic locks disengaged. He opened the door, but did not get in. He bent down, peered at her. He could see a pulse beating a tattoo in her right temple.
âIs it all right, Charlie?â
âNo, itâs not all right.â She had not blinked once since turning to look at him, another one of her mysterious tricks.
âWell, then.â He honestly did not know what she wanted, what he should do. This, he recognized, was a weakness in himself. The knowledge was an acrid taste in his mouth.
âYou want to know how I did it?â she asked, after what seemed a lifetime.
Whitman blinked, as if coming out of a daze. âDid what?â
âBeat Milt.â
âYou were better than he was.â
âNo,â she said slowly, âI wasnât.â
Surprise arose in him like a flock of startled birds. âYeah, I do want to know.â
He slid into the bucket seat, closed the door quietly without looking away from her. She put the car in gear, stepped on the accelerator, and they sped off into the quickening night. To Whitmanâs chagrin he was sporting a raging hard-on.
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4
When King Cutler and Julie Regan werenât making love at night, they watched DVDs of The Tonight Show with Johnny Carson. They shared a love of nostalgia, especially when it came to TV shows, as well as a penchant for insomnia. At three a.m., while Whitman and Charlie were on their way back to her apartment, Cutler and Julie were in bed, naked, amid rumpled bedclothes. While Cutler watched Carson doing one of his Carnac the Magnificent bits, Julie was in the shower, soaping off the smells of healthy sweat and sex. Cutler wished she wouldnât do that; he liked the way she smelled after they had made love, but cleanliness was a kind of obsession with her. While he waited for her to return, he ate handfuls of mixed nuts, washed down with a bottle of Mexican Coca Cola, made with sugar, not high-fructose corn syrup, which Cutler could not abide. He had a closely held private opinion that Americaâs addiction to high-fructose corn syrup was draining its males of precious bodily fluids. He possessed a balanced enough mind to see how that idea might strike an outsider as nuts. Therefore, he had never mentioned it to anyone, certainly not to Julie Regan.
Julie worked for the NSA. More specifically, and importantly, she was the assistant to Omar Hemingway. No one knew of her liaison with Cutler, which was about as illicit as it could get, being that Julie was married and, by all accounts Cutler had sifted through, quite happily. That was the fiction Julie spread around cheerfully and adeptly. In fact, her husband was gay and in the military; theirs was a marriage of convenience.
She had her own key and key card, arrived via the underground parking garage, never at the same time as Cutler, and always in some form of light disguise: a wide-brimmed hat, one of several wigs, a scarf tied around her head Audrey Hepburnâstyle. She liked the wigs bestâeven while they were making love. She had always