have time in hand at the beginning of the serial run). But Collinsâs health deteriorated badly in early 1863 and he was advised by his physicians to give up writing altogether until he recovered. On 19 March 1863 he recorded that the
Cornhill
novel was âput off again⦠[Smith, Elder] have behaved most kindly and considerately about itâ. 2 On 18 June 1863 he wrote with more precise dates: âI have had a most kind and friendly letter from Mr Smith⦠allowing me until the 1st. of December next [1863] to send inthe 1st. number of the new story for Cornhill.â 3 He was in Strasbourg at the time and mysteriously declared âI have
Got an Idealâ
(Major Milroyâs clock may have been a small part of the idea.) He seems to have clarified this idea in Wildbad, where he went to take the curative waters in summer 1863. In July â August he visited the Isle of Man and in November he recorded: âI am getting ideas as thick as blackberriesâ. By December he was convinced he had invented (but not yet started to write) âan extraordinary story â something entirely different from anything I have done yetâ. By January 1864 he was âconstructing my storyâ and again insisting that it was something âentirely newâ. 4
Collinsâs delay must have been vexatious for Smith. Dickens began serializing Charles Readeâs
Hard Cash
in
All the Year Round
in March 1863. Readeâs novel would conclude in December 1863. Reade â who was another leading sensationalist â would thus overshadow Collins. It was a further vexation that Readeâs novel (which features abominations perpetrated on patients in private lunatic asylums) went down very badly with the reading public, and lost Dickens 3,000 subscribers (as Reade calculated). Its failure cast a blight over Collinsâs forthcoming work (which also climaxes in a private lunatic asylum). While he was waiting for
Armadale
, Smith filled the gap in
Cornhill Magazineâs
, pages with a hastily devised serial by his new editor, Frederick Greenwood,
Margaret Denzilâs History
(November 1863âOctober 1864).
During the early part of 1864 Collins travelled on the Continent to recuperate his health. He thought out the plot for his new story in Rome, in February 1864. By March, when he returned to England, âmost of the important preliminary work was doneâ. After eighteen monthsâ âliterary abstinenceâ he now felt well enough to write. On 20 April 1864 he told his mother: âAfter much pondering over the construction of the story I positively sat down with a clean sheet before me, and began to write it on Monday last. So far my progress is slow and hesitating enough â not for want of knowing what I have to do, but for want of practice.â He instructed Smith that the new (and still unnamed) novel could be announced to start its serial run âalmost two years after the date first proposedâ. 5 The first sections were delivered to the printers (who approved of the story) in June 1864. Smith was very pleased. Dickens was sent an early set of proofs of the first number, and gave his approval. 6 On 24 September 1864, however, just one week before publication of the opening number, Collins wrote in near panic to his friend Edward Pigott to report that âThe gout has affected my brain. My mind is perfectly clear â but the nervous misery I suffer is indescribable. Beard [his doctor] cannot yet decide when I can work again, orwhat is to be done about the Gornhill. With Smith away, and the first number made up on the first of the month, the disaster is completeâ. 7 Evidently Collins somehow rode out this disaster. Keeping a month or so ahead of deadlines, and despite recurrent poor health, he finished writing on 12 April 1866, some six weeks before the last instalment was published. âMiss Gwiltâs death quite upset meâ, he recorded. 8
The