âBarkley, honey, time to get up. You okay in there? Mommy and Daddy have to get to work, but we want to make sure youâre going to be home tonight so we can talk.â
Where else would I be?
My father pops open his first diet soda of the day. He drinks diet soda all day. We all have our addictions. His addictions are diet soda and outsized adjectives.
âIâm up. Getting ready for work,â I finally call out as I relock my desk drawer.
âIs anything wrong, Barkley? Answer Mommy.â
âNothing is wrong.â
âSee, Kate, heâs up. Heâs getting ready for work. And why are you talking to him like heâs a kid? I got to tell you,â and here he raises his voice so I know that he is really talking to me, âthatâs an awesome young man in there. He spent his whole summer working. You think jobs like his, at the beach all summer, are easy jobs?â
âNow youâre blaming me for making him work?â
My mother pushed me to take this job after I was expelled from the community college. I wanted to join the army or navy. I found a recruitment center. They gave me a slew of tests. But they know nothing, the army. The navy. The Defense Department. The government of the United States. They told me I was unfit for service. I didnât want to hear itânot from someone behind a deskânot from someone who never shot a gun.
I plan to be a filmmaker nowâto control the images and the sounds. I should dream big. Small men dream small. Be a famous director of superheroes, the next generation of a Batman or Superman or Ironman, and in my spare time advocate for the environment. In interviews, I will say that the reason I create is to save the world by any means possible. At that community college there was an intro to cinema studies classâand a waiting list for the class. I will not be wait-listed again.
âI just think heâs plain old terrific,â says my father in too loud a voice. âAnd we should be telling him that. You hear me, Barkley?â
More bangs on the bedroom door from my mother, wanting me to come out, to inspect me. I growl under my breath. The dank smell of sweat, skin cells, dying off, and saltwater comfort me.
Her rapping stops as abruptly as it started.
âIâm telling you, somethingâs wrong with our son, Dan. Why, all of a sudden, is he hanging out with that nephew of yours?â
âWhat do you mean?â
âYou know what I mean. And your father.â
âYou worry too much, Kate.â
âAnd what about your father?â I can detect everything: her shallow breaths, his thrumming reluctance against a can of soda, the whoosh of central air chemically scented with roses, and the sense that we may lose it all in a blink of an eye. âHave you done some more thinking about him?â
âNo, heâs dead. And I have a lot more to worry about right now. I have that trip coming up to L.A., and I feel my whole job is riding on it. Can we look into this after Labor Day? Come up with a strategy?â
âExactly, heâs dead,â she says. âDidnât he kill himself with his hunting rifle?â
âI donât know, Kate. Nobody ever said. My mother wanted him buried in a church cemetery, and that couldnât happen if it was a suicide.â
âNobody ever said what it was. Dan, open your eyes, thereâs history here. Your familyâs. We need to look into this.â
âI was never very good at history,â says my father, a lame joke.
âAnd that nephew of yours. Jared. A pothead. Iâve smelled it on Jared, and so have you. So, what exactly am I missing? We have to face facts, maybe our son is into drugs. Maybe we have to consider that. What do you think of that? Heâs very close to that nephew of yours.â
Tell them that you abhor drugs. You do not pollute your body. You will not be found floating in the oceans of the world
Ginny Baird, Grace Greene, Donna Fasano, Helen Scott Taylor, Beate Boeker, Melinda Curtis, Denise Devine, Raine English, Aileen Fish, Patricia Forsythe, Mona Risk, Roxanne Rustand, Magdalena Scott, Kristin Wallace