storefronts with drab displays behind foggy plate glass windows. In a menâs apparel store, the mannequins wore fedora hats and loose fitting double breasted worsteds, as if they had been dressed shortly after World War II and hadnât changed since. This was what Chicopee felt likeâfrozen since World War II.
The cab entered a traffic circle of the every man for himself variety. Beyond it, a bridge crossed a quiet river; next to the bridge, a red brick mill, a vestige of the New England textile era, stretched out along the riverbank. We turned right and passed the Hotel and Restaurant Workers Union office. It, too, was in a storefront, next to a store that sold surgical equipment. The funeral home was a large, old house a short way up a hill. When the cabbie dropped us off, he promised to pick us up again in an hour and take us to a restaurant in walking distance of the bus depot.
A directory with a black background and gold borders listed Angelinaâs name. When I read it, I wished I hadnât come. I had to just stand there thinking about her being dead. I couldnât make the idea of it go away anymore. Carl walked ahead of me into the viewing room and up to the casket. He stood with his head down. I stood beside him, holding myself still to keep from running away. I didnât want to pray, and I didnât want to look at Angelinaâs dead body.
On our way in, weâd passed two women, one young, one older, sitting in the front row of chairs. All of the other chairs were empty. I didnât know how long we should stand in front of the casket. I didnât know what to do when I stopped standing there either.
Carl shifted on his feet beside me; finally, I turned and walked over to the older woman and asked if she was Angelinaâs mother.
âI knew Angelina in the city,â I told her. âShe was a good person. Iâm sorry sheâs dead.â
âThank you,â the woman said. Her eyes were expressionless; they seemed almost cold. I wondered if she felt responsible for her daughterâs death.
âMy other daughter, Janet,â she said turning to the young woman next to her.
âBrian McNulty,â I said, shaking her hand. This sister wasnât anything like Angelina. Very businesslike in her tailored suit that seemed very obviously not borrowed, she shook hands like a salesman. But her eyes were red-rimmed and puffy, her face pale and drawn.
âDid you know Angelina well?â she asked.
âNot very well,â I said, while Carl mumbled his name to Mrs. Carter.
âNice of you to come all the way from the city,â the mother said.
Carl nodded, smiling, then thought better of it and wiped the smile off his face.
âShe used to come into my bar,â I said.
âOh,â said her sister in a tone that made me feel unwholesome.
âShe sang there with a band sometimes,â I mumbled.
âAnd you, Mr. ââ
âCarl.â
âMr. Carl.â
âNot Mr. Carl,â Carl said. He was more flustered than I was.
âHow did you know my sister, Carl?â
âFrom the barâ¦We were friendsâ¦She was really talented.â Carl spoke earnestly and meant what he said, but it was lost on her.
Distaste dripped from sister Janetâs words; brooding anger smoldered in her eyes. Yet I couldnât help noticing that, though this sister wasnât at all like Angelina, she was attractive in her own right. Nicely built, shapely, nice legs. But she didnât do anything with itâat least not for us. She carried herself with a mixture of elegance and aloofness, as if sheâd been bred for respectability, her tone and manner suggesting she knew we were part of the seamier side of her sisterâs life. Her politeness was vague. I felt like a delivery man.
The mother, short and stocky, her hair tied in an efficient looking bun, her dark blue suit serviceable and nondescript, kept the empty