months.
After a while everyone left. Wolf shouted, âMeejitâwait!â
When the hut was empty (even Dog was told, âGoâ), Wolf bent his finger at me. âCome,â he said.
I went and stood in front of him. I waited for a slap, but Wolf rubbed the top of my head. He spoke, each word slow and careful. âYou tha witness, Meejit. Them fookinâ Manabà kill Boss Jonni. Ya tha witness thaâ Manabà kill Boss Jonni.â
I nodded. âYa, Wolf Sa. Manabà kill Boss Jonni.â
Wolf went on, âMeejit. Right away, Iâz need to keep ya safeâvery safe.â
I nodded.
He said, âIn case tha fookinâ Manabà come after ya.â
There were bosses above Wolf, and even above Boss Jonni. I was Wolfâs witness that the ManabÃâand not Wolfâhad killed Boss Jonni. This witness had to live.
I said, âWolf Sa, where you want me to go?â
Wolf said right away, âMeejit, youâz go tha orphanage on Haile Selassie. It called St. Michaelâs. Tell tha priest Wolf sent ya. I call him on tha mobile. You tell him you tha witness. You tell âim the Manabà did it.â
I said, âYes, Wolf Sa. Manabà did it.â I was quiet for a second. âIâz go in tha morning.â
Wolf shouted, âMeejit, youâz fookinâ go right this minitâelse I slit ya myself!â He slapped my face and I fell. I whimpered for good show. I knew heâd slap me. I knew it made him feel good.
He went to the cuttersâ table and gave me three bags of white. âGive tha priesâ these, ya.â He slid his hand in his pocket and gave me a roll of shillings. âThis for yaâs,â Wolf said. âRememba, youâz tha witness. Tha Manabà did tha kill.â
That night I got paid more than any actor at the bus station.
I ran from Wolfâs hut, out of Kibera. But once I was out on the main street, I went slow. Wolf had told me where to go, but I was not in a hurry. In the night, as I walked across Nairobi, I missed Deborahâs dark. It was the place I wanted to be, but work is work, money is money, and living is staying alive.
Chapter 11
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St. Michaelâs Orphanage
The dark wooden door at St. Michaelâs Orphanage was large, with two rusted steel hoops for knockers. The streetlights were mostly out, but I could still make out the sign above the door, S T . M ICHAEL â S O RPHANAGE , and below it, W HERE HOPE DREAMS . There was no bell, so I slapped one of the iron hoops. No answer. I threw a rock at the first-floor window. The window smashed; throwing rocks at Krazi Hari had paid off.
A window opened beside the one that had broken. The man who looked out was clearly a whiteheadâlife had been pulled out of him. He was a white man with a long yellow face and messed-up straw hair. Sure it was two in the morning, but a whitehead is a whitehead anytime. He had no clothes on his thin upper body. I thought he would look good nailed on a cross. âBoy,â he shouted through the open window, âstop throwing rocks.â
I called up, âWolf sent me. Where tha priest?â
âI am the priest,â the man said. His voice was deep and slow. âI am Father Matthew.â He was English. I knew that from porn. He said, âI was expecting you. Wait there,â and the window shut.
A minute went by. Father Matthew opened the wooden doors.The entrance hall was lit with electric. The priest was long and bent. His chest and arms were still naked. He wore shorts, as if he was about to play soccer. I went inside and he shut the door behind me.
The priest put his long hands on my shoulders, looked down at me, and gripped tight. âSon, welcome,â he said. âI am Father Matthew, the priest of St. Michaelâs.â I looked up at him in the entranceâs darkness; he was a shadow of a shadow. He continued speaking in a slow, deep voice. âI understand
Christine Feehan, Eileen Wilks