. . . getting older. If you want to have children, you may not want to wait too long.â
I bite my lower lip and look away. What can I say? In a corner of the restaurant, several small children run and squeal, chasing one another around as their parents finish their meal. I can feel my motherâs eyes on me like searchlights. I dip my head and rummage in my handbag for my lipstick. Itâs better than admitting what I feel deep down insideâÂthat lately, I canât bear the thought of becoming a mother.
After lunch, I drive my mother back to her home in Livermore, in the East Bay south of Contra Costa County, where my newspaper is located. We pass by the cemetery. I sneak a glance at my mother out of the corner of my eye. She is sitting ramrod straight, staring straight ahead.
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Chapter 10
T HE F AIRMONT H OTEL was the first place Tony Bennett sang, âI Left My Heart in San Franciscoâ and is possibly the nicest hotel in the city. The beaux-Âarts-Âstyle massive white building sits atop Nob Hill. Tonight it is lit up in all its magnificence. I pull up to the valet stand in my beat-Âup old Volvo sedan. At least itâs clean. I spent an hour vacuuming and waxing it.
Normally, I wouldâve walked or taken the bus from my place. But I knew my dress wouldâve provoked whispering from the older women on the bus. Tromping up the hills of San Francisco in black velvet and stilettos wouldâve been absurd.
The valet, a boy with freckles and close-Âcropped hair, opens my door for me. As I get out, my sandalâs spiky heel catches the hem of my dress, and I trip, falling right into the valetâs arms. His face is as red as his uniform as he helps me regain my footing.
When I look up, itâs my turn to blush. The mayor is a few feet away on the sidewalk, smoking. By the amused look on his face, he obviously saw the whole thing. Figures. Heading toward the door, I hold up the torn hem on my dress so it doesnât drag on the ground. Iâll find a bathroom and assess the damage.
âMaybe I can be of some assistance,â the mayor says, coming over and offering me his arm. âAdam Grant.â
The jig is up.
âGabriella Giovanni.â
The look on his face is blank.
âIâm with the Bay Herald. Iâm attending your dinner this evening.â
âAha! Well, then, how fortunate I had the chance to meet you beforehand,â he says, taking my elbow and leading me inside. âShall we?â
The doorman tips his hat as we enter. Grant leads me to the conciergeâs desk. âEthan, Ms. Giovanni has had an unfortunate accident. Do you think we can fix her up?â
âYes, sir. In a jiffy. Iâll send housekeeping right over.â
Grant leads me to a tufted chaise lounge nearby. âSit. Iâll keep you company.â
âAre you serious?â
âWhy, yes.â He pats the seat beside him.
âThank you. Youâve been very kind, but I can take over from here.â The thought of him watching someone sew my dress is humiliating.
âOh, I would be remiss if I left you alone here. I like to think my mother raised me better than that.â
âBut youâre going to be late for your own dinner,â I say, and glance at my watch.
âThatâs one of the perks of being the host now, isnât it? The party doesnât start until I arrive.â He reaches into the inside pocket of his tuxedo and takes out a small phone. âDenise? Iâve been delayed a few moments, so can you keep everyone entertained? Maybe offer another round of champagne and aperitifs? Fabulous. And one other thing, can you do a bit of rearranging at the dinner table? Iâd like you to move Gabriella Giovanniâs seat so sheâs at my side. Thank you kindly.â He snaps the phone shut.
âYou didnât have to do that.â
âIt was my pleasure.â I look away from his eyes, crinkled