that decides at this most inopportune moment to show him his shocking face, the deep Buster Keaton furrows, the stubble, the messy graying hair, a guy who looks more like a divorced cop in a TV series than a well-respected middle-aged but still vital and attractive writer, teacher, husband, and father. Nasty white specks on his glasses, pouches under his eyes. Swenson scrapes something suspicious off his front tooth, then checks the troublesome molar.
Ugh. No time to think about that. Itâs off to work we go.
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Running up the four flights to his office comprises Swensonâs entire exercise program, but this morning the aerobic benefits are undermined by the stress of being late. By the third floor, heâs panting. Chest pains? Possibly. Probably. Is this his fateâto collapse and die at the Doc Martened feet of thisâ¦leather-jacketed toothpick? Angelaâs sitting on the floor with her back against the wall, balancing an open book on the milky knobs peeking through the ripped knees of her jeans.
A few steps from the top, Swensonâs able to read the title of her paperback, which is not, as he expected, the work of some trendy child author, but rather, Jane Eyre . She grasps the novel with talons lacquered eggplant purple, curling from fingerless black leather gloves studded with silver grommets. Her tiny handsâor perhaps their proximity to Charlotte Brontëâs novelâgive the gloves a prim Victorian decorousness. Otherwise her outfit is pure sci-fi unisex shitkicker. A streaked green and orange ponytail, spraying straight up from the top of her head, makes her look like a garish tasseled party favor.
âGood morning,â calls Swenson, overheartily.
Glancing up from her book, Angela considers the bizarre coincidence that seems to have brought the two of them to this landing at the same moment.
âOh, hi,â she says, uncertainly.
âSorry Iâm late,â Swenson says. âI lost track.â
âThatâs okay. Donât worry about it.â
Swenson grabs the banister, partly to steady his breathing and partly to keep from strangling this thankless brat whoâs dragged him out of bedâwell, off the couchâpractically at dawn and sent him racing here, risking his lifeâ¦. Thatâs okay. Oh, is it ? Hisoptions are limited but clear. A stern, unpleasant lecture on manners and the value of thank you , or he can bite the bullet and get through fifteen minutes of her mumbling about her work or, more likely, about the reasons she hasnât done any work, and then he can mumble something back, and everyone will be happy.
He says, âShould we reschedule?â
âOh, no no no. Please, no. I need to talk to you. Really. I was kind of liking it. Sitting here. Hiding out. Itâs like when I was a kid. Iâd crawl under the porch and read when I was supposed to be at school.â
âA reader,â says Swenson. âExcellent.â
âYeah. I guess,â she says. She leans on one arm to push off from the floor. Swenson reaches out to help her. She seems to think heâs asking for her book, which she obediently hands over. While she stands, they negotiate the awkward exchange by pretending it was intended. As she gathers up her backpack, he leafs through the book, in which sheâs underlined passages. So. Sheâs reading it for a course.
âHow do you like Jane Eyre ?â
âItâs practically my favorite novel. Iâve read it seven times.â
Swenson should have known. Under all that crusty leather beats the tender heart of a governess pining for Mr. Rochester.
âWhat I like,â says Angela, âis how pissed off Jane Eyre is. Sheâs in a rage for the whole novel, and the payoff is she gets to marry this blind guy whoâs toasted his wife in the attic.â
âCome in,â says Swenson. âSit down.â
As Swenson unlocks his office, Angelaâs still
Stop in the Name of Pants!