more, but I want you to try something now. Iâll stand here, and I want you to imagine something. Sylvia turns to him, curious. I want you to imagine that weâve made love.
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Startled, she laughs tensely. He joins this laugh as though it is a game.
Iâve made love to you. And now itâs over and we are lying together. And you begin to tell me some secret things. Things that are way down deep in your heart. Slight pause. Sylvia-
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Hyman comes around the bed, bends, and kisses her on the cheek.
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Tell me about Phillip.
Sylvia is silent, does not grasp his head to hold him. He straightens up. Think about it. Weâll talk tomorrow again. Okay?
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Hyman exits. Sylvia lies there inert for a moment. Then she tenses with effort, trying to raise her knee. It doesnât work. She reaches down and lifts the knee, and then the other and lies there that way. Then she lets her knees spread apart ...
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Blackout.
SCENE SIX
The cellist plays, then is gone.
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Hymanâs office. Gellburg is seated. Immediately Margaret enters with a cup of cocoa and a file folder. She hands the cup to Gellburg.
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GELLBURG: Cocoa?
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MARGARET: I drink a lot of it, it calms the nerves. Have you lost weight?
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GELLBURG , impatience with her prying: A little, I think.
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MARGARET: Did you always sigh so much?
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GELLBURG: Sigh?
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MARGARET: You probably donât realize youâre doing it. You should have him listen to your heart.
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GELLBURG: No-no, I think Iâm all right. Sighs. I guess Iâve always sighed. Is that a sign of something?
MARGARET: Not necessarily; but ask Harry. Heâs just finishing with a patient.âThereâs no change, I understand.
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GELLBURG: No, sheâs the same. Impatiently hands her the cup. I canât drink this.
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MARGARET: Are you eating at all?
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GELLBURG, suddenly shifting his mode: I came to talk to him.
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MARGARET, sharply: I was only trying to be helpful!
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GELLBURG: Iâm kind of upset, I didnât mean any ...
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Hyman enters, surprising her. She exits, insulted.
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HYM AN : Iâm sorry. But she means well.
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Gellburg silently nods, irritation intact.
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HYMAN : It wonât happen again. He takes his seat. I have to admit, though, she has a very good diagnostic sense. Women are more instinctive sometimes ...
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GELLBURG: Excuse me, I donât come here to be talking to her.
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HYMAN, a kidding laugh: Oh, come on, Phillip, take it easy. Whatâs Sylvia doing?
GELLBURG , it takes him a moment to compose himself: ... I donât know what sheâs doing.
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Hyman waits. Gellburg has a tortured look; now he seems to brace himself, and faces the doctor with what seems a haughty air.
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I decided to try to do what you advised.âAbout the loving.
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HYMAN: ... Yes?
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GELLBURG: So I decided to try to do it with her.
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HYMAN: ... Sex?
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GELLBURG: What then, handball? Of course sex.
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The openness of this hostility mystifies Hyman, who becomes conciliatory.
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HYMAN : ... Well, do you mean youâve done it or youâre going to?
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GELLBURG, long pause; he seems not to be sure he wants to continue. Now he sounds reasonable again: You see, we havenât been really ... together. For ... quite a long time. Correcting: I mean specially since this started to happen.
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HYMAN : You mean the last two weeks.
GELLBURG: Well yes. Great discomfort. And some time before that.
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HYMAN : I see. But he desists from asking how long a time before that. A pause.
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GELLBURG: So I thought maybe it would help her if ... you know.
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HYMAN: Yes, I think the warmth would help. In fact, to be candid, PhillipâIâm beginning to wonder if this whole fear of the Nazis isnât because she feels ... extremely vulnerable; Iâm in no sense trying to blame you but ... a woman who doesnât feel loved can get very