doing?â
Iâm not about to answer, so I lob the paint can into a garbage bin and take off across the soccer field. Whoever is in the car yells, â
Stop
!â
I race through the park and make it home in record time. Sandraâs car is gone, so Iâm safe for the moment. Safe and sound and really shaky. I donât think the guy got a good look at me, and besides, itâs just paint. Nothing a coat or two of peach paint canât fix.
In the middle of the night, I wake up when someone pounds on our front door. I can hear Sandra talking to somebody and then my door opens. She says, âEmily, get dressed and come downstairs.â
I mumble, âWhat time is it?â and try not to throw up.
âTwelve forty-five,â she says. âDownstairs. Now.â
I take my time getting dressed. When I get downstairs, Sandra is sitting at the kitchen table with two cops, having coffee. The smell brings another wave of nausea. Or maybe itâs the sight of my pack, sitting in the middle of the table.
âSit down,â says one of the cops, a woman with spiky, bleached blond hair. I sit across from Sandra.
âThat your pack?â says the other cop, a man.
I nod.
âWant to tell me what you were doing tonight?â
âI went to jazz choir practice.â
âI think you did a little more than that,Emily,â says the woman. âCan I see your hands?â
I slowly bring my hands up from my lap and lay them on the blue placemat. There are red speckles all over my hands and wrists.
âWeâre going to have to get you to bring her to the station, maâam,â the woman cop says to Sandra, who nods.
The station, as in the police station?
âAm I being arrested?â I squeak.
âKinda looks that way, doesnât it,â says the guy as he stands up and heads for the door. âYou know what they sayââDonât do the crime...â â
I want to spit on him, but the look on Sandraâs face stops me. She doesnât look angry. She looks the way she did when I broke my arm falling out of an apple tree. And when I got the flu so badly that I threw up for three whole days. And when I lost the sack race at the grade five sports day after Iâd trained for weeks in the backyard.
On the way to the police station sheasks me one question. âWhat were you thinking?â I donât know the answer to that, so I donât say anything. I wonder if Iâm going to get fingerprinted and whether theyâll throw me in a cell. I just want to get this over with so I can go back to sleepâsomewhere, anywhere. I feel as tired as Sandra looks.
When we get there, the two cops ask me questions and I answer them truthfully, since I donât see any point in lying. I want a Pepsi in the worst way, but all I get is water. At the end of an hour I have confessed to vandalizing the school (they donât ask about anything else) and my fingerprints have indeed been taken. I sign my statement and the woman cop says, âYou can take her home. For now.â She smiles and her partner laughs at some inside cop joke. Sandra glares at them. âSomeone will be in touch,â the cop continues. âEmilyâs a good candidate for diversion.â
âWhatâs diversion?â I ask in the car, thinking it doesnât sound too awful.
Sandra sighs and says, âDonât get your hopes up, Emily. Youâre not getting away with anything.â
Thatâs what she thinks.
Chapter Eleven
Turns out police diversion is a way of keeping first-time juvenile offenders out of the court system, which sounds pretty good to me. Until I hear that the offender (me) has to apologize to the victim face-to-face
and
do community service
and
go for counseling. I wonder if itâs too late to go to jail.
âAt least weâll get free therapy,â Sandra says, cracking a tiny smile. Always the accountant.
We, I think.
We
are
James A. Holstein, Richard S. Jones, Jr. George E. Koonce
Debbie Howells/Susie Martyn
Robert Asprin, Peter J. Heck