Never spent a penny. Probably never had a penny to spend. His daughter lives here now. Old lady—very eccentric.”
As he spoke Raymond was congratulating himself on having thought of Greenshaw’s Folly as a means of entertaining his guest. These literary critics always professed themselves as longing for a weekend in the country, and were wont to find the country extremely boring when they got there. Tomorrow there would be the Sunday papers, and for today Raymond West congratulated himself on suggesting a visit to Greenshaw’s Folly to enrich Horace Bindler’s well-known collection of monstrosities.
They turned the corner of the house and came out on a neglected lawn. In one corner of it was a large artificial rockery, and bending over it was a figure at sight of which Horace clutched Raymond delightedly by the arm.
“My dear,” he exclaimed, “do you see what she’s got on? A sprigged print dress. Just like a housemaid—when there were housemaids. One of my most cherished memories is staying at a house in the country when I was quite a boy where a real housemaid called you in the morning, all crackling in a print dress and a cap. Yes, my boy, really—a cap. Muslin with streamers. No, perhaps it was the parlourmaid who had the streamers. But anyway she was a real housemaid and she brought in an enormous brass can of hot water. What an exciting day we’re having.”
The figure in the print dress had straightened up and had turned towards them, trowel in hand. She was a sufficiently startling figure. Unkempt locks of iron-grey fell wispily on her shoulders, a straw hat rather like the hats that horses wear in Italy was crammed down on her head. The coloured print dress she wore fell nearly to her ankles. Out of a weather-beaten, not-too-clean face, shrewd eyes surveyed them appraisingly.
“I must apologize for trespassing, Miss Greenshaw,” said Raymond West, as he advanced towards her, “but Mr Horace Bindler who is staying with me—”
Horace bowed and removed his hat.
“—is most interested in—er—ancient history and—er—fine buildings.”
Raymond West spoke with the ease of a well-known author who knows that he is a celebrity, that he can venture where other people may not.
Miss Greenshaw looked up at the sprawling exuberance behind her.
“It is a fine house,” she said appreciatively. “My grandfather built it—before my time, of course. He is reported as having said that he wished to astonish the natives.”
“I’ll say he did that, ma’am,” said Horace Bindler.
“Mr. Bindler is the well-known literary critic,” said Raymond West.
Miss Greenshaw had clearly no reverence for literary critics. She remained unimpressed.
“I consider it,” said Miss Greenshaw, referring to the house, “as a monument to my grandfather’s genius. Silly fools come here, and ask me why I don’t sell it and go and live in a flat. What would I do in a flat? It’s my home and I live in it,” said Miss Greenshaw. “Always have lived here.” She considered, brooding over the past. “There were three of us. Laura married the curate. Papa wouldn’t give her any money, said clergymen ought to be unworldly. She died, having a baby. Baby died too. Nettie ran away with the riding master. Papa cut her out of his will, of course. Handsome fellow, Harry Fletcher, but no good. Don’t think Nettie was happy with him. Anyway, she didn’t live long. They had a son. He writes to me sometimes, but of course he isn’t a Greenshaw. I ’m the last of the Greenshaws.” She drew up her bent shoulders with a certain pride, and readjusted the rakish angle of the straw hat. Then, turning, she said sharply,
“Yes, Mrs. Cresswell, what is it?”
Approaching them from the house was a figure that, seen side by side with Miss Greenshaw, seemed ludicrously dissimilar. Mrs. Cresswell had a marvellously dressed head of well-blued hair towering upwards in meticulously arranged curls and rolls. It was as though she