said.
I divided the last of the coffee between our two cups. Boy! did I want a cigarette.
âWell, like they say, nothing lasts forever,â he said. âYou get over yourself, one way or another. I stopped running from fights. And the fellas stopped wanting to fight me around the time we all discovered sex. See, the girls liked me.â
I grinned. âYaaay, Andre! So you went from being the four-eyed sissy to the neighborhood pussy magnet.â
âYou got it. For however brief a time, I was a hero.â
âFierce at last!â I raised the fist to him.
âNo, I told you, Iâm not. But Iâll tell you who was. My mom. I donât know how she did it, exactly, but sheâs the one whoââ He stopped there and didnât talk again until he had drained his cup.
When he spoke again, his voice had become thick. âA lot of things make me want to kill. And a lot of things I just donât give a fuck about anymore. All I care about now is becoming excellent at my work and being legit over here. Getting my papers, steady gigs, an apartment, whatever. âCause I am not going back. By the way, that was a load of crap I gave you about being a legal resident and having a permit, just in case you didnât already know.
âAbout the only thing that makes me want to fight now is other people telling me who I am and what I ought to be doing and who I ought to be doing it with.â
âYou mean you donât like having your blackness challenged?â
âMy blackness is not open to challenge. My father was black, so that means Iâm black. Period. I guess what I mean is, my people deserve to be honored by me, and Iâm serious about doing thatâbut I deserve some honor too, right? Who doesnât?â
âYeah,â I said. âWho doesnât? Are you all on your own now? No family?â
âNo.â
âHow long have you been in Paris?â
âFive months.â
âMade any friends yet?â
He shook his head. âNot really. Just some guys I met playing around town. The place Iâm staying at belongs to one of my profs, but he isnât there now. Iâm subletting from him.â
âWhat are youââ
He cut me off. âJust a minute! Hold up! Question after question after question. Weâre only talking about me. I want to know something about you and your stuff.â
âYou will, you will,â I said. âTell you what. Wait for me in the café downstairs while I get ready.â
âReady for what?â
âWeâre going to get seriously drunk.â
âAre you joking?â
âSeriously, intentionally drunk.â
âItâs only ten-thirty,â he said giddily. âIn the morning.â
âI know. But Iâm about to tell you my life story, right? Thatâs not something you do sober, my brother. And youâve got to show me your Paris before I show you mine.â
He picked up his violin and practically danced over to the door.
âItâs good to be an international nigger, donât you find, Nan?â
âYes, mon frère . It is kind of da bomb.â
Instead of waiting downstairs, he had run home to drop off his violin.
By late afternoon, weâd been walking and talking and drinking for hours.
I didnât figure on another excursion to the Right Bank so soon. But that was okay. Andre and I were wending our way all over the 8th while his nonstop Negro-in-Paris history rap unreeled like a guided tour cassette. The kid was amazing.
He had just given me the complete history of the concert hall called the Salle Pleyel, on the rue du Faubourg St. Honoré, where every famous brown person who had ever set foot in Parisâfrom the players in the old la revue Negre to W.E.B. Du Bois to Herbie Hancock to Howlin Wolfâhad drawn an audience.
We stopped briefly for another drink, exchanged more life story tidbits, and pressed
Dorothy Calimeris, Sondi Bruner