stammering, âYou need me. You have been waiting a long time for me. Without me, you are done for. I will save you. You will not have loved me in vain.â
She kept silent. Only her eyes gleamed, thanks to the persisting image, which it was up to her to intensify. In the center of the chestnut-shaded garden stood a limestone column, damp from the nightâs rain, a
stalagmite. Water spewed from an iron pipe. An espresso machine hissed. And in the darkening clearing a gentle wind now sprang up. The man resumed: âListen to me! Listen, I say. In the end, God, too, for whom the prophet Elijah, or which prophet was it? waited so long in the desert, did not come either in lightning or thunder or in the whirlwind, but in the softest, barely audible rustling.â He advanced a step toward her, but then, on the recoil, dove back into the bushes. His nose had been bleeding, and the white handkerchief he had dropped in the grass of the clearing revealed a red, many-eyed, checkered pattern.
Next to that tavern in the hillsânot a single guestâthe ParisâMoscow express stood waiting; the place was a border-crossing point. The windows of the sleeping car were open; empty berths; through the windows on the other side the bare white limestone cliffs were visible. Didnât the stranger know that the god who had made himself heard in the rustling breeze was an Old Testament god? That his voice in that gentle whirring was not whispering about love but was filled with wrath? That that god wanted vengeance, vengeance, and more vengeance?
After such a beginning, it came as no surprise that the man soon found out where she lived; and that his voice was heard over the intercom around midnight: âIn all these years here I never set foot in that clearingâand then to find you there. It was a sign: you love me. And although I had never met you in the flesh, I recognized you instantly. If that isnât a sign, what is? And the third sign: whenever I come to an unfamiliar place, I look straight ahead and pass through it without looking to right or leftâbut this time I looked to the side at once, to where you were standing, waiting for me. Unlock the door. You must let me in.â
She did not unlock the door. For all the doors were already unlocked. But he did not press a single latch, did not turn a single knob; just rang and rang outside the garden gate, all night long. Eventually she turned off all the lights and lay down on a sofa in the dark parlor, her sword, a relic from one of her earlier lives, at her side. The ringing went on and on. But in time that was precisely what calmed her and finally caused her to doze off. And the next morning, after an almost restful sleep on the sofa, the bloody-nose handkerchief again, on the driveway, like a playing card.
Next a letter: âHow easy it was to penetrate you. Your cunt was panting for me. Your sex instruments drummed on me, plucked me and rubbed me, danced around me. Your vaginal membranes rattled and fluttered, swelled and swirled, sailing from firm land over an ink-dark sea as
a storm raged. No doubt about it, I was made for you. And I promise never to leave you!â
Now the time had come to sit down with the man, in broad daylight, for a sober hour in late morning. But where? Even the choice of a meeting place was critical. It was out of the question to meet in one of the many little eateries in her area: she had never been seen there with a man, and that was how it was to remain. The bars on the outskirts were also out of the question. The patrons there almost always stood or sat alone (she, too, was sometimes there among the guests, so briefly that she seemed like an apparition). And when people happened to come in as a twosome, it was to be assumed they belonged together, and in a slightly unsavory way; these couples usually spoke in lowered voices and huddled far from the others, in the darkest corner, behind a screen, if possible, where,
Katie Mac, Kathryn McNeill Crane