of hair behind her ear. Thank God. My impulse disappears and my finger is safe. But her magnetic pull remains.
âYouâve got an insiderâs view on the early days of the Factory,â I continue. âThere arenât too many people around who can claim to have that.â
She shakes her head. âAlmost everyoneâs gone.â
Now that this door has cracked open, I want to push it further. I want to know this girl. I lean forward, genuinely intrigued. âWhat were they like? Was it a hotbed of creativity like we had in Paris at the Bateau-Lavoir? Were they as crazy and debauched as the stories say, or was it all a legend to build up the Warhol myth?â
About halfway through my question, Avaâs face changes. A memory flickers across her featuresâI see a flash of vulnerability before she turns back to stone. âCrazy. Debauched. Take your pick,â she says, pulling her computer to her and positioning its screen between us like a shield. âEveryone wants to relive the glory days of the Factory. I, for one, am glad theyâre over.â
And that is it. Door shut. End of conversation. End of communication. All the way to Paris.
SEVEN
THEY â RE WAITING FOR US IN THE PRIVATE PLANE terminal: Ambrose is a huge, hulking form coming at me for a crushing embrace, and Charlotteâs a sparkling ball of effervescence, hopping up and down like popcorn and grabbing me around the neck as soon as Ambrose lets go.
âYouâre here!â she squeals, and then does the jumping thing some more, practically dislocating my neck in the process.
âCouldnât miss the big day,â I say, although thatâs exactly what I had been planning to do. I glance over at Ava, and sheâs pure cynicism. She knows Iâm full of shit. She strides up to Ambrose and holds her hand out.
âAva Whitefoot,â she says.
Ambrose smiles his million-dollar smile and says, âDamn, I miss that accent. Raised in New York?â
âLong Island,â Ava responds, and matches his smile watt for watt. And I have to admit: It looks truly genuine. Ava is a peopleperson, except, it seems, when it comes to me.
Charlotte detaches herself from my neck and turns to give Ava the bises , leaning up slightly to reach the taller girlâs cheeks. âIâm Charlotte. I donât think weâve met.â
âI donât go to convocations,â Ava explains. âIâm a bit of a hermit. Prefer not to wander far from home.â
âWell, weâre honored you came all this way for our wedding,â Charlotte says, and sticks out her hand for me to inspect the elaborate emerald-and-diamond ring on her left hand.
âRenaissance?â I ask.
âYes,â she says fondly. âAmbrose chose it from the treasury.â
âItâs exquisite,â Ava remarks, looking from the ring to Charlotteâs face. âIt matches your eyes.â She smiles, and the connection is palpable: A new friendship has been born.
Meanwhile, Faust has walked up to Ambrose, and they do a testosterone-charged handshake that makes all their arm muscles bulge. âFaustino Molinaro,â Faust says. âNine eleven.â
Ambrose whistles, impressed. âFire, police, EMT?â he asks.
âNew York City Fire Department, Ladder Company Three,â Faust replies.
Ambrose clasps Faust by the shoulder and says, âMan, weâre honored to have you here. True American hero.â
âNot any more than you, from what Iâve heard,â Faust replies. âWorld War I, first African-American tank battalion. Took out an entire German guard post single-handedly. Man, youâre legend among the kindred back home.â
Ambrose laughs. âThis is home now. And if I get any timeoff from wedding preparationsââhe throws a worried glance at Charlotte, who gives him a happy smile and blows him a kissââIâll be happy to show