duration of the song. In a twist on the miracle of the saint crying milk, her neo-goth eye make-up had made her look as though she were crying black crude oil. She had been done up in a saintâs outfit, sitting on an oil rig. The North Sea had raged in the background.
The kitchen slaves sodomised the pop star with their eyes when we went downstairs. The pile of skinned rabbits had diminished almost to nothing.
The reception was quiet.
Stephanie Haight was eating a lemon posset. The ballerina was eating a chocolate fondant. The Marge woman was saying: âIâm not getting mad. Iâm not getting mad. I just donât know how you can defend that woman.â
Madeline was eating rabbit scraps off guestsâ plates in the cloakroom.
I moved closer to Stephanie.
âOh, but I do,â Marge went on. âI do know how you can defend her. You defend Gabriella because you created Gabriella. How many times, Stephanie, are you going to root out a fine young thing and turn her into a whatever you want and then cry yourself to sleep at night when she takes what you taught her and turns her back on you?â
âShe hasnât turned her back.â Stephanie halted. âShe always picks up the phone when I call her. Sometimes. Her work is very demanding.â
âYes, I imagine that ritualistic self-harming is quite demanding.â
âAnd Gabriella was not fine ,â said Stephanie. âShe had a natural body, sure. She had a supple, a Rabelaisian body. A body of excess. Oh, the monstrous feminine excess!â She laughed. âBut she was just a life model. She would have been a life model all her life if I hadnât pulled her out of that phallocentric head space and turned her into an artist in her own right.â
âYeah,â said Marge. âI remember. You were writing that piece on life models â right?â
âRight.â Stephanie ate another spoonful of posset. âFor the LRB . Or was it Spare Rib ?â
Marge shrugged.
âGabriella stood out right away,â said Stephanie. âShe looked so sorrowful, the standing female nude. And when she opened her mouth and I heard that she was common like me, I couldnât resist. I couldnât resist any single one of my prodigies, Marge. Like you, Marge.â
Marge smiled. âYes, I remember when I first walked into your class on feminist rereadings of the Hegelian unhappy consciousness at Harvard. You looked so beautiful in that African robe. I was so impressed by you â we all were. When was that?â
ââ78. Must have been. I was in my third year of grad school. And the Kappa Alpha Theta initiations â such fun!â Stephanie finished her posset.
âGabriellaâs from a later world,â said Marge. âSheâs from a later, more disenchanted world. Sheâs Third Wave .â She bent her fingers in parentheses. âIf that is a thing at all.â
âMaybe she doesnât wanna be part of any wave , Marge,â said Steph, expressively. âHave you ever considered that? Maybe sheâs not into waves . Listen. Gabriellaâs just doing what we did. Sheâs just using what sheâs got. Her own experience.â
âBullshit.â Marge put her fork down. âSheâs using her cunt.â
The ballerina looked at Marge, who said: âDonât worry, honey. Itâs not a pejorative.â Marge went on: âGabriella wants a new cunt. And new eyes â better to see out of. Better to see herself out of. Sheâs just like a ⦠Sheâs a paradigm of selfish fucking neo-liberal individualism, Stephanie.â
âWe all wanted to be individuals, Marge, remember? We all wanted to be ourselves . Thatâs why we got involved. We didnât want to be what our mothersââ
âYes, but we sought solidarity!â
âBut Gabriella is a visual artist ,â said Stephanie. âSheâs not a