BRILLIANCE OF HER EYES
R ANDOLPH DEAR, YOU HAVE A RIVAL!â PAULINE observed with a sad gaze that might have seemed sympathetic but wasnât.
The stagecoach depot was surrounded by gray sand flats with low mounds of shattered brown rock in the distance. The entire dismal landscape was disfigured by Arizonaâs unholy trio of vicious cacti. Wire-wool barrel cactus, like squat satanic footstools. Spiky bouquets of ocotillo, like hellâs daisies. Giant saguaro with weirdly human arms that reached toward heaven like the souls of the damned. The heat was demonic as well, without the slightest breeze to dissipate the ammoniac stench of a nearby corral into which months of horse piss had soaked without benefit of dilution. In the meager shadow of a palo verde shrub, a famished little coyote pounced on a scorpion and crunched it up with evident satisfaction, but Randolph Murrayâs eyes rested instead on the dashing frontiersman who had been paying court to young Josie Marcus since the troupeâs performance in Prescott.
âEvery living thing in the Arizona Territory has thorns, spikes, or fangs,â the actor muttered. âOr pistols.â
âMr. Behan is very attractive,â Pauline murmured, relishing it.
âYes. Quite!â Randolph admitted airily. âPity about his hairline.â
Suddenly feeling rather gay, Pauline dabbed a handkerchief ather throat and waved a languid hand toward the unlovely landscape. âDear God, do the Indians actually want this back?â
âYes, unlikely as it seems. The Mexicans do as well.â
âWhatever for? Really, what is the point?â
âHearth and home. National pride. Silver. Lots and lots and lots of silver.â
âThere must be nicer places to find silver. Tiffanyâs, for example.â Fanning flies from her face, she noted, âYou look weary, Randolph dear.â
âKind of you to notice, Pauline darling.â
He was, in fact, sweating, underslept, and in an exceptionally bad temper. The Pauline Markham troupe did not bear his name, but Randolph Murray managed the enterprise and he was responsible for herding, housing, feeding, and transportingâby sea and by landâa cast and crew of eighteen along with luggage, sets, and costumes, all while arranging new bookings, collecting fees, and doling out the payroll. Not to mention singing six numbers in two acts of a comic opera he loathed, seven nights a week with matinées on Wednesdays, Saturdays, and Sundays.
The travel conditions were appalling, but the response from these Arizona audiences to a British musical about sailors had been astonishing. There were week-long sellouts in Prescott and Phoenix and packed houses for one-night stands in half a dozen other little settlements. Theyâd just closed in Tucson and were moving on to their biggest booking yet: the lugubriously named but famously wealthy Tombstone, where the dashing Mr. Behan was evidently prospering along with his town. A man of many parts, Mr. Behan had given them to understand. Moving with the times. Full of gumption and enterprise.
Pauline sighed and took Randolphâs arm. âPoor thing!â she murmured. âItâs harder to be left than to leave, isnât it.â
âDonât,â he warned, but Pauline was always curious about her successors.
âHow was our rosy little Josie?â she asked archly.
âEager. Enthusiastic,â Randolph replied blithely. âAnd very . . . athletic.â
The actress blinked. The actor smiled. You asked for it, he meant.
JOHNNY BEHAN CERTAINLY WASNâT in the market for a wife in the spring of 1880. In April heâd traveled from Tombstone up to Prescott to sign the papers that would finalize his divorce from the former Victoria Zaff, and he was in no hurry to replace her.
While he was in town, he took the opportunity to see what all this H.M.S. Pinafore fuss was about, and by the end of the
Dorothy Calimeris, Sondi Bruner