you? What do you want to do with me? What should I be for you? How should we go on from here? Should we go on at all? And where to? Please tell me: WHERE TO? Give yourself a few days before you answer; time is the one thing we have in abundance.
Have a nice evening,
Leo
Five hours later
Subject: Impressions
Just want to add a few words to my nonexistent or indiscernible âinterest in your physical appearance,â dear Emmi. Please tell your former and future whiskies that I like you. I can say that with 0.0 parts per thousand of alcohol in my blood. Itâs lovely to look at you. Youâre stunning to look at. And fortunately I can look at you anytime I choose. Not only have I got hundreds of impressions of you, I also have an impression from you. I have a point of contact on my palm. I can look at you there. I can even caress you. Good night.
Three minutes later
Re:
Youâve just answered the question âWhat can I do for you?â yourself. Caress the point of contact, my love.
One minute later
Re:
I will. But Iâll do it for me, not for you. Because only I can feel this point, it belongs to me, my love!
Fifty seconds later
Re:
That is a misapprehension, my love! A point of contact always belongs to two people. 1) The contacter. 2) The contactee. Good night.
Three days later
Subject: Questionnaire one
Fiona is about to turn eighteen. She finishes school next year. At the moment Iâm only speaking to her in English or French, so she can practice. Which means sheâs not speaking to me at all anymore. She wants to be an air hostess or a concert pianist. Iâm trying to persuade her that she can do both: an in-flight pianist, a flying piano player. Thereâd be no competition. Sheâs pretty, slim, medium height, blond, fair skin, frecklesâjust like her mother. Sheâs been âgoing outâ with Gregor for the past six months. âGoing out with Gregorâ seems to be code for staying up all night with anyone, male or female. Officially she spends every night with him. The poor guy doesnât seem to be aware of this, much less does he get anything out of it. âWhat do you two spend the whole time doing?â I ask. She smiles at me as wickedly as she can. Hinting at âsexâ is still the best strategy for incommunicative teenagers. Itâs obvious. No need for Fiona to waste her breath. Sheâll just have to put up with a few lectures on contraception and safe sex.
Jonas is fourteen, and still a child. Heâs sensitive and quite clingy. He misses his mother, and he needs me very much. He keeps the family tightly together, and itâs a major effort for him. He has no energy for school. Every few days he asks whether I still love his father, and Leo, you canât imagine how he looks at me. For him the nicest thing in the world is to see us both happy, and heâs the main focus for both of us. Sometimes he even pushes me into his fatherâs arms. He tries to force the two of us together, to make us more intimate. He can sense that little by little this intimacy is slipping away from us.
Bernhard, yes, Bernhard! What can I say, Leo? And why should I have to say it to you, of all people? Iâm finding it hard enough to admit it to myself. Our relationship has cooled. Itâs no longer an affair of the heart, but merely a kind of mental exercise. I have nothing to reproach him for, unfortunately. He never displays any weaknesses. Heâs the kindest, most unselfish person I know. I like him. I respect his decency. I cherish his attentiveness. I marvel at his calm, and his intelligence.
But no, itâs no longer the âgreat loveâ it once was. Perhaps it never was. But we so enjoyed our staging of it, and acting out our parts to each other, playing them to the children so that they could feel secure. But after twelve years of shifting the scenes weâve tired of our roles as partners in a perfect marriage.
M. S. Parker, Cassie Wild
Robert Silverberg, Damien Broderick