painted in white for a year. The past year they had hardly seen Lincoln at all. He had begun to paint in color again. The paintings in the group show, and this one-man show, were the result. They were not like anything Polly had ever seen and she wanted one fiercely.
Henry and Andreya caught up with her. âLook,â said Henry. âThereâs Lincoln.â Polly looked around and saw him at once: a tall, well-made man with an unsmiling boyish face, and a thick shock of straight hair that fell onto his forehead. He had a big, pouty mouth and, when he smiled, a crooked grin. He was wearing the sort of clothes an Irish fisherman might wear: a briary sweater, a pair of tweed trousers, and heavy laced shoes. He cut through the crowd toward Henry and Andreya, and when he saw Polly, he stopped and kissed her on the mouth.
âOh, Iâm sorry,â he said, stepping back. âI thought you were someone else.â He smiled a rattled smile. âWhy,â he said, âitâs a little pack of Solo-Millers. Hello, Henry. Hello, Andreya.â He turned to Polly. âYou must be the Solo-Miller sister.â
âPolly Demarest,â said Polly.
âDora,â Lincoln said, âisnât it?â
âEveryone calls me Polly.â
âOf course. Well, Andreya. What do you think?â
âI cannot understand these pictures, Lincoln,â Andreya said. âThey are about things . What do they mean?â
âAndreya likes for everything to have a lot of abstract meaning,â Henry, Jr., said. âItâs her European heritage. Itâs a shame we didnât bring the dog. He would really go for this stuff.â
âStop being such an oaf, Henry,â said Polly. âThese pictures are just beautiful. They donât need to be explained.â
âI have to go and mingle with these art types,â said Lincoln. âIâd rather stay here, but Iâll be back.â
Henry and Andreya wanted to circle the gallery once more. Polly went with them, and then Henry began to yawn and Andreya began to itch. Like small children, they expressed their boredom physically.
âLetâs get out of here,â Henry said.
âOne second,â Polly said. âWait for me. Iâll be right back.â
She searched the room for Lincoln, and when she spotted him it seemed to her that he was looking in her direction. She went right up to him.
âI want to buy one of those oil-on-paper pictures,â she said.
âYouâll have to come to my studio,â said Lincoln. âTomorrow is good for me.â
âMe, too,â said Polly. âWhat time?â
âAny old time. Lunchtime. Iâll write my address on this piece of paper. Here.â
The next day Polly felt rather fevered. She was distracted all morning, then lost track of time and had to race out of the office and down to the subway, her heart pounding. She was going to have an adventure, she knew: lunch with a painter. She was going to buy a painting. Pollyâs life was full, but she did not get out much by herself. She and Henry had inherited pictures and had bought pictures together, but this was to be all hers. She would hang it in her office and no one would have to know that she had bought it.
She ran out of the subway and searched around for Lincolnâs street. It was not a part of town she had ever been in before. She finally found the piece of paper to check his address, rang his bell, and waited. When he opened the door, Polly impulsively kissed him.
âOh, Iâm sorry,â she said. âI thought you were someone else.â
This gesture shocked both of them. They stood awkwardly at the door until Lincoln composed himself enough to smile and show Polly in. The front of the studio was his work space, with an apple-green floor. Lincoln was as precise as a Japanese master: his shelves were neat and his walls were bare except for his black-and-silver kite,
Ker Dukey, D.H. Sidebottom