and tore the shadow off and immediately I thought, ah this might help me with my painting. Of course I probably wonât be able to do anything at all with it â oh good I can see George and Sonia coming in. Youâve been drinking nothing, Michael, have a little more champagne.â
I look round and see a buxom blonde lady sailing across the room with a pale, athletic-looking younger man in her wake. Sheâs wearing a cream-coloured shirt buttoned up to the neck and a pleated, grey skirt. Francis makes the introductions, then busies himself filling their glasses from the bottle beside the table and orders some important-sounding Bordeaux as well.
âAlmost impossible to find a taxi in this ghastly drizzle,â Sonia says breathlessly. She takes a lipstick and compact out of her large handbag and quickly refreshes her crimson lips. âWe thought we were never going to get here, didnât we, George?â
âYeh, wasnât âalf difficult,â George agrees shyly, half swallowing his words. He seems to have a speech impediment or even a cleft palate, which makes his thick Cockney accent even more impenetrable. âIt was orful. Fing is, we nearly didnât get âere.â Sonia has been seated opposite Francis and next to me. I donât think sheâs even taken in my existence yet, although Iâm certainly aware of hers, not only as the wife of the man who wrote
Down and Out in Paris and London
but as having worked with Cyril Connolly, whom I revere both as an essayist and as the editor of
Horizon
. I feel overawed to be sitting next to someone who has been at the absolute centre of contemporary literature for so long.
George, meanwhile, has placed his cigarettes and a chunky silver lighter neatly in front of him, like weapons. Heâs chain-smoking in a controlled, studious fashion. I take out a cigarette to keep him company, and he immediately clicks his Ronson lighter into action beneath my nose. I notice the deep little pleat of concentration between Georgeâs eyebrows and the tightly knotted dark-blue tie heâs wearing with a white shirt and dark-blue suit. If I hadnât heard a bit about him already, I would have thought George was a successful East End entrepreneur in his early thirties. As it is, from the banter in the Soho bars, Iâve made out that heâs actually an unsuccessful thief and burglar of that age. Thereâs a story going about that Francis actually caught him breaking in to Reece Mews from the skylight above the studio. But Francis says thatâs nonsense and they just met in the French pub. âI was having a drink with John Deakin and all those others,â heâs told me, âand George was standing on the other side of the bar. And he came over and said, âYou all seem to be having a good time. Can I buy you all a drink?â So he just joined us, and there it was.â
âNow, I just had a call from Michel Leiris as I was coming out,â Sonia is saying rapidly, âand he and Zette are coming over from Paris next week so I thought Iâd do a dinner on the Tuesday, if you and George are free, and possibly ask Lucian and DavidSylvester or has David written something recently about Lucian that Lucian doesnât like and theyâre not actually talking?â
âI think theyâre still talking â or you could invite Michael?â Francis suggests. âI believe his French is very good.â
â
Alors on va voir ça tout de suite
,â Sonia says, rounding on me suspiciously. â
Quâest-ce que vous pensez pouvoir dire en français, mon pauvre jeune homme?
â
â
Plus ou moins ce que je veux, selon les circonstances
,â I answer blushing but promptly. Speaking French is perhaps the one area I can have some confidence in.
âWell, I suppose you can come if you think youâll fit in,â says Sonia, clearly reluctantly, âbut I should