warn you youâll be out of your depth intellectually, and probably socially. Michel Leiris is reckoned after all to be the greatest French writer alive, and heâs just finished the latest volume of
La Règle du jeu
which as I hope you know has become a fundamental text. Everyone in Paris is raving about it. Weâll also have the new French cultural attaché whoâs the author of
Marx est mort
, which I have to say is
tout ce quâil y a de plus controversé en ce moment
, and André Massonâs son, Diego, the conductor. I wonât say
le tout-Paris des arts et des lettres
will be there but not so very damned far off. Then weâll probably have the publisher Nikos Stangos whoâs delightful and a very talented American writer called David Plante. Do you think you can hold your own in a soirée like that?â
âYeah,â says George with a derisive snort. âYou reckon you can âold your own with all of âem?â Heâs perked up and is following the scene with obvious amusement.
âWell, Iâll try,â I say lamely, feeling exposed and regretting the anonymity my role as interviewer has so far conferred on me.
âI donât think you need worry, Sonia,â Francis says. âIâve noticed Michaelâs at ease in any company. He might seem shy to you, but he understands everything. After all, weâre all shy when weâre young, what with all that talent welling up inside us, even though with time we realize thereâs simply no point in being shy.
Câest pas la peine
, as your friends in Paris would say. So whydonât we have just a leet-el more of this Château La Lagune, then go on to Murielâs for some champagne?â
We tumble in and out of a taxi up a dank stairway and into a low-lit, green room heavy with cigarette smoke and seething with people where someone is playing an invisible piano and crooning, âAnd thatâs why darling itâs incredible â that someone whoâs unforgettableâ, and thereâs a severe-looking woman dressed in black with her shiny black hair pulled into a tight bun who looks like a retired ballerina sitting straight-backed on a stool by the bar who turns and says: âThere you are, my daughter, no not you, you cunt, Iâm talking to Francis.â
With the three of us in tow, Francis kisses her and orders champagne all round. As the corks pop and everyoneâs glass is filled to the brim, he raises his own, with the golden liquid slopping over his wrist, and like a challenge calls out: âChampagne for my real friends, real pain for my sham friends,â and amid the laughter, some frank, some furtive, he knocks the drink back and orders more and introduces me to the severe lady who turns out to be Muriel. She seems kindly disposed towards me as another round of champagne breaks like a wave over the room and says that as âdaughterâ has said such nice things about me sheâll make me a member of the Colony Room and Ian behind the bar will give me the card I need. As I down my champagne with the best of them I notice her whisk the bubbles out of her own glass with a little silver cocktail stick and Iâm taken aback when she says politely, âThatâs my clitoris, dear, always keep it movingâs my motto, Iâve never liked the bubbles, just the effect.â The piano starts up again and itâs âNon, je ne regrette rienâ, and I notice Sonia, red-faced and almost tearful, joining in while George stands to one side silently keeping himself to himself with cigarette and glass, now one going up to his mouth, now the other. Muriel controls the unruly swell around her by regularly issuing orders to punters who seem to be called alternatively âSodâ, âGrannyâ or âLottieâ â âCome on, Lottie,â she says, âopen up your bead bag and pay forlast nightâs