nails. The foundation sags on one end, causing the house to tilt to one side. The grass has been mowed hit-or-miss, and hoes and rakes and garden tools are scattered around the yard.
I like this place. Itâs messy, like home.
A trash can sitting in back of the house looks like asoda-pop can that a giant squeezed between its fingers. The can has no lid, so I look inside.
Empty. No treasure this afternoon. No looking for meteors from outer space. Just homework.
Life is very unfair. I take a kick at the beat-up garbage can; and because itâs empty, it goes flying against a neighboring fence where it bounces and spins down the alley, rattling as it goes.
âUh-oh,â I whisper as I hear the squeak of a screen door. A woman comes outside, one hand shading her eyes so she can see better. The other hand holds a cane with a black rubber stop on the end.
âYou thereâyou live around here?â she calls out.
âYes maâam.â
Temporarily, I think. I set her trash can upright.
âWell, I donât recall seeing you before, and I know everyone in this town. I sell Nova, you see.â She eyes me when I donât respond. âYou know what that is? Nova?â
I shake my head no.
âCosmetics! You know, makeup for womenâs faces? Lipstick, rouge, face powder, lotions. You never heard of Nova?â
I shake my head again.
âSo you donât know me and I donât know you.â She studies me like Iâm a bug under a magnifying glass. âIâd say from looking, youâd be related to Frank Huckaby. That right?â
âYes maâam.â
âThought so. Iâve watched the kids in this town grow up, and you are the spitting image of Frank when he was a boy.â
âI am?â
She nods. âA boy related to the Huckabys should know how to introduce himself properly.â
âOh. My nameâs Frankie Joe. Frankie Joe Huckaby.â
âFrankâs oldest boy?â
âYes maâam.â
How did she know that?
âWell, my nameâs Peachcott. Miss Elsie Peachcott.â
Elsie Peachcott is the kind of person you canât help but stare at, even though you know itâs not polite. Itâs not because sheâs wrinkled and stooped like a troll that lives under a bridge. Or because she has black-licorice hair and eyebrows, and red-licorice circles painted on both cheeks. Itâs because of a large, muddy-brown spot on the side of her face. That spot draws my eyes like a magnet.
âWhat are you staring at?â Her watery blue eyes become slits. âDonât you know itâs not polite to stare?â
âNothinâ, Iâm not looking at nothinâ.â
âDonât lie to me, boy. Iâve been the object of ridicule all my life. I can look in a personâs eyes and tell when heâs not being truthful. Now tell me, what are you looking at?â
âYour . . . face,â I whisper.
âMy face,â she repeats. âMy entire face? Or something on my face?â
I suck the spit from between my teeth. âSomething on your face.â
âYou mean my birthmark? What, youâve never seen a birthmark big as a silver dollar before?â
I shake my head no.
âOh.â She pauses. âWell, I suppose a person canât be held accountable for things they donât know.â She leans closer. âTell me, is it real obvious? Or just a little bit obvious?â
Iâm not sure I want to get closer to the woman, but I do. I step through the gate and walk half way to the porch. But even then, I canât see the spot clearly because something has been smeared on top of it.
âI canât tell âcause thereâs something chalky-looking on it.â
Without warning, Elsie Peachcott pounds her cane on the porch. âBlast it all, I still donât have it right!â Looking around, she lowers her voice. âI been working