today were Juan Pedroâs only son, Antonio, and two of his daughters, Jassy and Floradelisa, all by his first wife, and all of whom stood to inherit from Lorenza, who had no children of her own. And then there was Bibi of course, the youngest, the daughter of his second wife, who died when she was born.
Turning from the window, she sat at the gilded Venetian satinwood vanity table that Juan Pedro had complained was out of place in this heavy-beamed Spanish room, with the hint of stone exposed through the pale creamy paint.
âThe stone is to let reality in,â Lorenza told him solemnly when sheâd done it. âJust in case things go wrong and we have to return to that old Ravel stone cottage.â Of course that had made him laugh; âThere is no old stone cottage anymore,â heâd said. âThis is it. And itâs all yours.â And now it was.
She ran a comb through her mass of shoulder-length black hair, bemoaning the fact that it was totally uncontrollable. Always had been. It floated around her face in a movable dark cloud and God help her if she were ever caught in a wind because then it stood on end and she looked ready for takeoff. Her hair, she decided, was not her best feature, though others felt differently. And indeed it gave her somehow too-round face character, as did the widely set dark brown eyes, and the too-big mouth she colored again with Lancômeâs fuchsia lipstick. Beauty was in the eye of the beholder, she thought, amused, and she had never seen herself as that.
She wasnât bad though, for forty-one, thinner than she had been at twenty, still bosomy, though now trimmer from hard work and the stress that also showed on her face. She turned away from the too-revealing mirror. The truth was anyone but the owner of that face would have called her lovely. A lovely woman, Doña Lorenza de Ravel. And a woman to be reckoned with.
She went and checked herself in the long mirror: plain black suit, skirt just to the knee, pearls at the neck. The grieving widow, she thought with a pang.
Nervous, she pulled at her three-strand pearl choker, suddenly feeling as if it were strangling her. Juan Pedroâs beautiful gift had once upon a time belonged to a famous French aristocrat whose head had been chopped off, come the revolution and the guillotine, while those tricoteuse knitted away, screaming with delight. Lorenza had been relieved to hear they had not been on the poor womanâs pretty neck at the time.
âThereâs no blood on these pearls,â Juan Pedro told her, seeing her stricken look. âShe was young, and, they say, quite lovely and I have no doubt she would smile to see you wearing them.â Sometimes though, in moments of stress, like now, those pearls seemed to tighten up on Lorenzaâs neck.
Tires spun on the gravel. She went to look. It was Antonio, Juan Pedroâs only son, his eldest child. In fact Antonio was almost exactly the same age as Lorenza, something that had certainly not pleased him when his father had introduced her as his new wife-to-be.
Of course, Antonio would be first to arrive. Lorenza would bet he couldnât wait to hear what was going on, hoping she was going to give it all up and hand over the reins to him. Weâll see, she thought, as she walked down the stairs and took a seat on one of the two cream-brocade sofas fronting the empty marble fireplace, that instead of crackling logs held a haphazard display of flowers hastily flung together by Buena.
She did not get up when Antonio strode into the room, but she did smile and hold out her hand, while thinking that Antonio never simply âwalkedâ into a room, he always âstrode.â He was tall and dark, not handsome but with his fatherâs compelling eyes and beaky nose.
âLorenza,â he said, in the same hearty tones that made you understand he was very much a presence. âGood to see you,â he added, not meaning it,