the old man told her. âI was talking about the other young lady. The one with the stroller.â
âYou
know
her?â I asked him.
But all he did was crumple the ten-dollar bill into his cuff, and raise one finger as if he were testing which way the wind was blowing. Then he walked away without another word.
âWeird,â said Margot, as he made his way around the chain-link fence and disappeared behind the trees.
âYouâre right,â I told her. âMega-weird. Letâs go inside and have that tea.â
* * *
As I unlocked the door to my apartment, Margot sniffed, and frowned, and sniffed again.
âWhat is it?â I asked her.
âPaint,â she said. âIt definitely smells like paint.â
âOh, thatâs coming from Pearlâs apartment. Somebodyâs painting a life study of her. She says itâs Jonathan Lugard, but heâs been dead for five years, according to Victor, so I donât think
thatâs
too likely.â
I went through to the kitchenette and Margot followed me. She said, âIt must be quite comforting, though, to be sure that somebodyâs alive, even when theyâre dead. I mean, if you really believe it, what difference does it make?â
âI donât know. None, I guess. Maybe thatâs what ghosts are.â
I boiled the kettle and made two glasses of Russian tea. Margot poured a large dollop of orange-blossom honey into hers, over the back of her spoon. Then she tugged off her ankle-length boots and stretched herself out on one of my sofas.
âYou definitely seem
different
, Lalo.â
âYou think so?â
âYes. I get the feeling that youâre expecting something tohappen, but youâre not sure what it is. Maybe youâre expecting Kateâs husband to come tearing up the stairs and punch you on the nose.â
âWell, maybe. But I donât think so, somehow. It seems to me Kate and Victor have a pretty relaxed kind of marriage, to say the least.â
âMaybe youâre waiting for Kate to say that she loves you.â
âHey, come on. Weâve been to bed together once, thatâs all. I may not even see her again.â
âThereâs something about her, though, isnât there? Something thatâs stuck on your brain, like one of those jingles of yours.â
I tried to sip my tea. It was so hot that it scalded my lip. I didnât know what to say to Margot, but she was right. I kept thinking about the way that Kate had felt when she had rested her head on my chest; and the strange cloudy look in her eyes whenever she looked at me. I felt as if I needed to see her again, as soon as possible, just to touch her and make sure that she still wanted me.
âIâll tell you what,â said Margot. âMe and Dorothea and Jimmy the Squib and Duncan Bradley, weâre all going to Salâs Comedy Hole tomorrow night, to see Maynard Manning. Why donât you come along? Get yourself back in the real world, you know, where people talk baloney but at least itâs
logical
baloney.â
âYes, maybe I will.â
âCome on, promise me. You need to get out more.â
â
Okay
, already! Iâll come.â
* * *
For the next hour and a half, I played her some of the incidental music I had written for
The Billy Wagner Show
. I opened a bottle of zinfandel and poured us a large glass each. Margot lay back on the sofa and sang along with me, making up the words as she went along.
âNobody ever told me . . . I wish that they had said . . . how much it hurts when a concrete block . . . drops right on your head!â
She was funny, Margot, but she had a wonderful voice. She could sing anything from blues to light opera, but her specialty was zydeco songs, like âWould You Rather Be an Old Manâs Darling or a Young Manâs Slave?â She was terrific, Margot.
Eventually my wall clock chimed seven. âLaloâI