What’s going to happen?”
“I think your little lost train is finally coming home,” said JC. “All the time it was trapped and held Somewhere Else, it’s been trying to get home. Straining against the bonds that hold it. Think of it as pressure building, like steam in a kettle. Building up a head of steam powerful enough to break free at last. And, as Melody said, there’s now a weak spot in reality, right by the tunnel-mouth. Where the train will come through…When the accumulated pressure finally blows it wide open. So that the train and its carriages and passengers can finally come home. Which might be a good thing, or a bad thing, depending on what state the train and its passengers are in. Whether they were trapped in a timeless moment, or whether they had to endure every bit of the long years they’ve been missing, in that Other Place.
“And, of course, there’s always the problem of what the train might bring back with it, from that Other Place. There are always terrible things lurking on the threshold of reality, waiting for a chance to break in. To feed or destroy. Or, much worse, make us over into things like them.”
“If the train was trapped in a moment out of Time, then the passengers could return without knowing anything at all has happened to them,” said Happy. “They could come home safe and well. They’ll need debriefing, of course, but…”
“Dear Happy,” said JC. “Always hoping for the best.”
“And nearly always being disappointed,” growled Happy. “Why can’t we have a happy ending, for once?”
“Because it wasn’t temporal energy I was picking up,” said Melody. “Or I would have said. My instruments were registering powerful other-dimensional energy spikes. And besides, trains don’t simply disappear. Something reached into this world and took it away. And, given the way things have been acting up around here, I don’t think that train was taken with good intentions. Do you?”
“Why can’t we all get along?” said Happy, plaintively.
“So,” JC said firmly. “A train with carriages packed full of people, taken Outside of Time and Space, and held Somewhere Else, for over a century. And no way of telling for what purpose. After being held for so long, under unknown alien conditions, there’s no way this can turn out well. I think the best we can hope for is that everyone on the train is dead.”
“What?” said Laurie, looking around sharply.
“You can’t live under alien conditions without being changed in alien ways,” JC said patiently, and as kindly as he could. “You can’t live in an alien place and stay human. The only way to survive is to change and adapt. After all those years away, completely cut off from Earth-normal conditions; who knows what shape the train’s passengers will be in? Physical or psychological? The shock of the return might be enough to kill them.”
“So…you’re saying we should try and stop them coming back?” said Laurie, frowning.
“I’m not sure that’s an option any more,” said JC.“Not with so much pressure building behind it for so long.”
“Then what do all the manifestations and things here mean?” said Laurie.
“Simple,” said JC. “Someone, or Something, was disturbed when the volunteers started changing things in the station, and it has been working ever since to drive everyone else away. It doesn’t want things to change enough for the train to be able to return; or, failing that, it doesn’t want anyone here when it does.”
He broke off; and they all looked around at the wedged-open main door and the platform beyond. Slow, steady footsteps were advancing down the platform from the far end, heading straight for them. Heavy, regular footsteps, not hurrying, taking their time. As though whoever was responsible wanted them to be heard, for the people hearing them to have a chance to get away. There was something off, something not quite right, about the footsteps. Too loud and too
Brian Keene, J.F. Gonzalez