Goodbye, Columbus by Philip Roth Read Free Book Online

even as comfortable as that. At last I left the hall and began to stroll in and out of rooms on the first floor. Next to the living room was the study, a small knotty-pine room jammed with eater-cornered leather chairs and a complete set of
Information Please Almanacs.
On the wall hung three colored photo-paintings; they were the kind which, regardless of the subjects, be they vital or infirm, old or youthful, are characterized by bud-cheeks, wet lips, pearly teeth, and shiny, metallized hair. The subjects in this case were Ron, Brenda, and Julie at about ages fourteen, thirteen, and two. Brenda had long auburn hair, her diamond-studded nose, and no glasses; all combined to make her look a regal thirteen-year-old who’d just gotten smoke in her eyes. Ron was rounder and his hairline was lower, but that love of spherical objects and lined courts twinkled in his boyish eves Poor little Tulie was lost in the photo-painter’s Platonic’ idea of childhood; her tiny humanity was smothered somewhere back of gobs of pink and white.
    There were other pictures about, smaller ones, taken with a Brownie Reflex before photo-paintings had become fashionable. There was a tiny picture of Brenda on a horse; another of Ron in bar mitzvah suit,
yamdkah,
and
tallas;
and two pictures framed together—one of a beautiful, faded woman, who must have been, from the eyes, Mrs. Patimkin’s mother, and the other of Mrs. Patimkin herself, her hair in a halo, her eyes joyous and not those of a slowly aging mother with a quick and lovely daughter.

    I walked through the archway into the dining room and stood a moment looking out at the sporting goods tree. From the television room that winged off the dining room, I could hear Julie listening to
This Is Your Life.
The kitchen, which winged off the other side, was empty, and apparently, with Carlota off, the Patimkins had had dinner at the club. Mr. and Mrs. Patimkin’s bedroom was in the middle of the house, down the hall, next to Julie’s, and for a moment I wanted to see what size bed those giants slept in—I imagined it wide and deep as a swimming pool—but I postponed my investigation while Julie was in the house, and instead opened the door in the kitchen that led down to the basement.
    The basement had a different kind of coolness from the house, and it had a smell, which was something the upstairs was totally without. It felt cavernous down there, but in a comforting way, like the simulated caves children make for themselves on rainy days, in hall closets, under blankets, or in between the legs of dining room tables. I flipped on the light at the foot of the stairs and was not surprised at the pine paneling, the bamboo furniture, the ping-pong table, and the mirrored bar that was stocked With every kind and size of glass, ice bucket, decanter, mixer, swizzle stick, shot glass, pretzel bowl—all the bacchanalian paraphernalia, plentiful, orderly, and untouched, as it can be only in the bar of a wealthy man who never entertains drinking people, who himself does not drink, who, in fact, gets a fishy look from his wife when every several months he takes a shot of schnapps before dinner. I went behind the bar where there was an aluminum sink that had not seen a dirty glass, I’m sure, since Ron’s bar mitzvah party, and would not see another, probably, until one of the Patimkin children was married or engaged. I would have poured myself a drink—just as a wicked wage for being forced into servantry—but I was uneasy about breaking the label on a bottle of whiskey. You had to break a label to get a drink. On the shelf back of the bar were two dozen bottles—twenty-three to be exact—of Jack Daniels, each with a little booklet tied to its collared neck informing patrons how patrician of them it was to drink the stuff. And over the Jack Daniels were more photos: there was a blown-up newspaper photo of Ron palming a basketball in one hand like a raisin; under the picture it said,