thunder. But not quite. Seconds later, this time from in front of him, it happened
again: loud and clear, all over the city. Bracketed. Not a buzzbomb, not that Luftwaffe.
“Not thunder either,” he puzzled, out loud.
“Some bloody gas main,” a lady with a lunchbox, puffy-eyed from the day, elbowing
him in the back as she passed.
“No it’s the
Ger
mans,” her friend with rolled blonde fringes under a checked kerchief doing some monster
routine here, raising her hands at Slothrop, “coming to get
him
, they especially
love
fat, plump Americans—” in a minute she’ll be reaching out to pinch his cheek and
wobble it back and forth.
“Hi, glamorpuss,” Slothrop said. Her name was Cynthia. He managed to get a telephone
number before she was waving ta-ta, borne again into the rush-hour crowds.
It was one of those great iron afternoons in London: the yellow sun being teased apart
by a thousand chimneys breathing, fawning upward without shame. This smoke is more
than the day’s breath, more than dark strength—it is an imperial presence that lives
and moves. People were crossing the streets and squares, going everywhere. Busses
were grinding off, hundreds of them, down the long concrete viaducts smeared with
years’ pitiless use and no pleasure, into hazegray, grease-black, red lead and pale
aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving
curves into roads clogged with Army convoys, other tall busses and canvas lorries,
bicycles and cars, everyone here with different destinations and beginnings, all flowing,
hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks,
the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing
deeper, approaching black through an instant—perhaps the true turn of the sunset—that
is wine to you, wine and comfort.
The Moment was 6:43:16 British Double Summer Time: the sky, beaten like Death’s drum,
still humming, and Slothrop’s cock—say what? yes lookit inside his GI undershorts
here’s a sneaky
hardon
stirring, ready to jump—well great God where’d
that
come from?
There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity
to what is revealed in the sky. (But a
hardon?
)
On the old schist of a tombstone in the Congregational churchyard back home in Mingeborough,
Massachusetts, the hand of God emerges from a cloud, the edges of the figure here
and there eroded by 200 years of seasons’ fire and ice chisels at work, and the inscription
reading:
In Memory of Constant
Slothrop, who died March
year of his age.
Death is a debt to nature due,
Which I have paid, and so must you.
Constant saw, and not only with his heart, that stone hand pointing out of the secular
clouds, pointing directly at him, its edges traced in unbearable light, above the
whispering of his river and slopes of his long blue Berkshires, as would his son Variable
Slothrop, indeed all of the Slothrop blood one way or another, the nine or ten generations
tumbling back, branching inward: every one, except for William the very first, lying
under fallen leaves, mint and purple loosestrife, chilly elm and willow shadows over
the swamp-edge graveyard in a long gradient of rot, leaching, assimilation with the
earth, the stones showing round-faced angels with the long noses of dogs, toothy and
deep-socketed death’s heads, Masonic emblems, flowery urns, feathery willows upright
and broken, exhausted hourglasses, sunfaces about to rise or set with eyes peeking
Kilroy-style over their horizon, and memorial verse running from straight-on and foursquare,
as for Constant Slothrop, through bouncy Star Spangled Banner meter for Mrs. Elizabeth,
wife of Lt. Isaiah Slothrop (d. 1812):
Adieu my dear friends, I have come to this grave
Where Insatiate Death in his reaping hath brought me.
Till Christ