In the Fold by Rachel Cusk Read Free Book Online Page B

depression, accompanied by unexplained pains down the left side of her ribcage. I could not understand her insistence on giving a harbour to the tyrannical expectation that she create. This expectation came from herself, but it had its roots, I thought, in her parents and her need to surmount their capriciousness while remaining within the circle of their concerns. At university, where we met, Rebecca studied law, and though in the end she struggled to get her degree, I could see in her decision to take it something I had not seen since, namely a determination to forge for herself a more normative, classical, even useful existence than that to which she had been born. I could see in it a slightly punitive urge to stick to the facts. I wished sometimes that I had known the girl who had felt that urge. It had already begun to lose its momentum, to give way to doubt and self-consciousness, by the time we met. The law had become a source of oppression from which she wanted only to free herself; and art, whose peculiar strictures I suspected of having driven her to law in the first place, now reappeared in the guise of her liberator. What had she been thinking of, surrendering herself to a life of confinement and responsibility, of adherence to the letter of things? It was freedom that she wanted, most particularly the freedom to express herself. So requisite was this freedom that even the impingement on it of self-expression became intolerable. Yet she sought release: when she didn’t get it her freedom was tainted; it became a drag on her, a burden. She longed to give voice to something, but what? Sometimes, with an air of urgency, she would take her pad and pencils and establish herself somewhere with the intention of drawing. It was always drawing she seized upon to guide her out of this conflict, as though it were a first principle she had forgotten and to which she was now going to make her obeisance. The problem was that as far as I could see what Rebecca wanted was not to create but to discharge, to rid herself of a blackness, a pollution, that mounted inexorably in her system. The discipline of drawing was obstructive to this process: it was far too narrow a channel for her tumultuous feelings. After anhour or so of frantic marking and rubbing out on the paper she would throw her pencils on the floor as though she were throwing off her manacles or descending from a tightrope. She always looked more fleshly somehow, more earthbound, in the wake of an unsuccessful approach to the shrine of creativity, as though for an instant she gloried in the mere fact of being human. As far as I could see, all Rebecca’s masochistic female tendencies went into this abusive relationship she had with art, leaving her overly assertive and somewhat self-centred and preoccupied in her dealings with me.
    Rick’s gallery was riding the wave of a middle-class spending boom. He changed the name, from Rick Alexander to dis criminate . At that time he was setting up another, smaller gallery on the Dorset coast, where many of what he referred to as his artists lived, and so increasingly Rebecca was left to run things in the city on her own. I was surprised by her aptitude for it. Sitting at her father’s perspex desk in the big white space she was a creature in its natural habitat. It was as though her life had come in only two sizes: she had outgrown the first, and now the second fitted her perfectly. It was in this period that Rebecca first complained that I never asked her questions. One evening she said:
    ‘Why have you never asked me how it felt having Hamish?’
    I considered the question. My memory of Hamish’s birth remained also the memory of the first failure of authenticity in my feelings for Rebecca. For some reason it had never occurred to me that she might have undergone the same change.
    ‘I don’t know.’
    ‘If you were hit by a car and were injured and in terrible pain, wouldn’t you think it was strange if I never asked