last arrow.ââ
The sheriff tapped the photograph in the vicinity of the table. âYours truly.â He straightened up and Wesley felt the sheriffâs hand rest on his shoulder. âAnd do you recognize that old warrior?â
Wesley and his friends leaned in, as though any face there could be known to them if they only stared hard enough. Every man and woman in the photograph stared impassively at the camera, their eyes as blank and dark as stones. Only because he had been told that Sheriff Cooke was in the picture could Wesley see any resemblance between the full-moon face in the picture and the man behind him.
Frank was the first to turn away from the wall. âI donât know anybody there.â
The sheriff chuckled softly, a sound a little like footsteps
creaking on snow. âWell, you might say you do. Yessir. You do.â
He tapped the photograph again. âIron Hail is now George Tuttle. Took an American name when he became a citizen. Or they gave it to him. Whichever. Is there a date on there? This was in the Bismarck Tribune . Back in 1917. Of course theyâre all citizens now, whether they want to be or not. You boys can go sit back down.â
The sheriff returned to his chair and fell into another long pause. Wesley was most uneasy during these silences. He was afraid one of them would blurt out a confession. His father had often told them how, when some people were arrested, they would simply begin talking, even admitting to crimes with which they were not going to be charged. âThey canât carry all that guilt,â his father would say, âand first chance they get they dump the whole load.â
Wesley understood. He felt that ache for release, and he had to clamp his jaw down hard. Talking was all he could do in this situation, and that was something he felt he could do tolerably well. Hadnât he been told for years, by his mother, his teachers, his grandmother, that he was a good boy, bright, polite, and well spoken? If he simply started talking he could explain everythingâwith a half-truth, half-lie concoction the sheriff would surely swallowâhow they had the whiskey, where they got the cigars, why Tommy had a pistol in the Buffalo Cafe, what they wanted with those girls. But his fatherâs words kept coming back. âIf theyâd keep their goddamn mouths shut, half these people would get off scot-free.â
Those girls! Oh Jesus! Beverly Tuttle. George Tuttle.
As if he were reading Wesleyâs thoughts, Sheriff Cooke said, âYessir. Mr. Tuttle. Thatâs the papa of the girl you knocked down over at the cafe.â
Tommy was quick to defend himself. âShe, fell!â
âBloodied her up pretty good. Chipped a tooth. Cut her lip bad. Almost bit right through it.â Sheriff Cooke shuddered a little as though the thought of Beverly Tuttleâs injury chilled him.
âHowâd she get the scar?â The question sprang out of Wesley before he even knew it was near his tongue.
âShe didnât need any more problems in that area, did she?â said the sheriff. âPoor gal. As I recall, she got that in a sledding accident. Went flying down a hill headed right toward a barbed wire fence. Tried laying back so she could squeak under it and a strand caught her by the lip.â He shuddered again. âSuch a pretty gal.â
Frank added quickly, as though, the door finally open, everyone could contribute an explanation or excuse. âWe didnât mean for her to get hurt.â
âShe slipped,â Tommy repeated.
Sheriff Cooke leaned forward and twined his fingers as if he were going to pray. âCourse you didnât mean for her to get hurt. Pretty gal like that. Iâm sure you had other ideas.â
Frank interrupted him. âWe didnât want thatââ
ââand I believe you. I know where youâre from. Montanaâs full of good people. But here you are