new.
Well, her eyes were different now; she was different. And all because, once upon a time, she had determined to hold her own ground.
Life was different.
As was death.
As they headed for the morgue, Jude tried to forget the woman at his side.
Whitney Tremont. Special agent. Very special agent.
But, she did know how to be quiet. She was distracting, but that wasn’t her fault. His. He set his mind back to the situation, and tried not to think that she was definitely an interesting and arresting individual.
Captain Tyler. Now, there was a dash of cold water. He wanted to find him—and he would. Rush hour—that time when citizens took their lives in their hands just to step into the subway—would most probably bring Captain Tyler back to his home haunts; the subway station where those who knew him would be kind enough to drop spare change or a dollar his way. The autopsy would be finished by that point.
He had spoken with many people who talked about how strange downtown could be at night. By day, the world itself hummed because of all the activity that occurred at the New York Stock Exchange. By night, restaurants closed. The gates to the churches were locked. Office workers were gone, and the major hotels were by Battery Park and the South Street Seaport. Nearby Tribeca and Soho entertained nightlife and housed hundreds of thousands of people. But here, at this end with the financial district and the government buildings, the night brought on a haunting quiet, as if the little area needed time to recoup from the madness of the light.
His only hope was in finding Captain Tyler, he thought. Or someone else who was like a ghost, left to eke out an existence from those who passed hurriedly by day, and forget them once darkness fell.
Jude parked his car, still lost in the case as he did so, and hoping against hope that it might be one that was solved quickly. Though he had his task force questioning the hundreds of people who had been involved in the film shoot, and he knew that they’d be eliminating those with airtight alibis, they’d also be making lists of those he needed to interview himself, or who needed to be investigated further. He almost forgot Whitney Tremont; in fact, he might have if she didn’t give off a soft, underlying perfume, and if he didn’t just feel the warmth of the body beside his own.
She was out of the car door, though, before he could walk around to open it for her. She was pure motion and energy.
“Keep your thoughts going and don’t worry about me, Detective,” she said. “I’m right behind you.”
He grinned. So she was.
Jude Crosby was known at the morgue; he had no difficulty navigating the structure of the building, Whitney Tremont following closely behind him.
“OCME,” or the Office of the Chief Medical Examiner, was housed on First Avenue. New York City held many firsts in the investigation of death; the Office of the Medical Examiner was established in 1918, the first of its kind in the country. OCME established the first toxicology laboratory and the first serology laboratory as well, at Bellevue Hospital, rather than the six-story headquarters where the executive offices, mortuary, autopsy, X-ray, photography and many labs were housed now.
Attending a victim’s autopsy was always paramount to him; no matter how great a medical examiner might be at a report, there was always something to be gained by attending. Many medical examiners did consider the autopsy to be the victim’s last chance to speak, and Jude believed them. You never knew just what a victim might “say.”
He knew that time had made him jaded; he’d seen the dead so often. He noticed the odor of decaying flesh, and the stronger odors of the chemicals that were used to mask the smell. He noticed them, but he barely thought about them. He thought of the place as sterile. He wondered if his religious teachings as a child kicked in when he saw the dead; the spirit didn’t reside in