would take with him into France. The shops of Rome were denuded of all finesilks, brocades, and velvets, for nothing, declared the Pope, was too fine for his son Cesare; the horses’ shoes must be of silver, and the harness of the mules must be fashioned in gold; Cesare’s garments must be finer than anything he would encounter in France, and the most magnificent of the family jewels must be fashioned into rings, brooches and necklaces for Cesare. Nothing he used—even the most intimate article of toilet—must be of anything less precious than silver. He was going to France as the guest of a King, and he must go as a Prince.
He left Rome in the sunshine of an October day, looking indeed princely in his black velvet cloak (cut after the French fashion) and plumed hat. Beneath the cloak could be seen his white satin doublet, gold-slashed, and the jewels which glittered on his person were dazzling. Because he hated any to remember that he was an ex-Cardinal he had covered his tonsure with a curling wig which gave him an appearance of youth; for those who watched in the streets could not see the unpleasant blemishes, the result of the
male francese
, on his skin.
He was no longer Cardinal of Valencia, but Duke of Valentinois and the Italians called him Il Valentino.
The Pope stood on his balcony with Lucrezia beside him, and as the calvacade moved away and on to the Via Lata, the two watchers clasped hands and tears began to fall down their cheeks.
“Do not grieve. He will soon be with us once more, my little one,” murmured Alexander.
“I trust so, Father,” answered Lucrezia.
“Bringing his bride with him.”
Alexander had always been optimistic, and now he refused to believe that Cesare could fail. What if the King of Naples had declared his daughter should never go to a Borgia; what if it were impossible to trust sly Louis; what if all the Kings of Europe were ready to protest at the idea of a bastard Borgia’s marrying a royal Princess? Cesare would still do it, the Pope told himself; for on that day, as he watched the glittering figure ride away, in his eyes Cesare was the reincarnation of himself, Roderigo Borgia, as he had been more than forty years earlier.
With the departure of Cesare a peace settled on the Palace of Santa Maria in Portico, and the young married pair gave themselves up to pleasure. Alfonso forgot his fears of the Borgias; it was impossible to entertain them when the Pope was so affectionate and charming, and Lucrezia was the most loving wife in the world.
All commented on the gaiety of Lucrezia. She hunted almost every day in the company of Alfonso; she planned dances and banquets for the pleasure of her husband, and the Pope was a frequent participator in the fun. It seemed incredible to Alfonso that he could have been afraid. The Pope was so clearly a beloved father who could have nothing but the warmest feelings toward one who brought such happiness to his daughter.
Lucrezia was emerging as the leader of fashion; not only were women wearing golden wigs in imitation of her wonderful hair, they were carefully studying the clothes she wore and copying them. Lucrezia was childishly delighted, spending hours with the merchants, choosing materials, explaining to her dressmakers how these should be used, appearing among them in the greens, light blues and golds, in russet and black, all those shades which accentuated her pale coloring and enhanced her feminine daintiness.
Lucrezia felt recklessly gay. This was partly due to the discovery that, contrary to her belief, she could be happy again. Whole days passed without her thinking of Pedro Caldes, and even when she did so it was to assure herself that their love had been a passing fancy which could never have endured in the face of so much opposition. Her father was right—as always. She must marry a man of noble birth; and surely she was the happiest woman on Earth, because Alfonso was both noble and the husband she loved.
The