forward into the hallway. Immediately his feet swept out from under him, and he fell on his back with a shout. Parker laughed as he receded in the distance, while the floor somehow carried Chase farther away.
âWhat is this?â Chase shouted angrily, trying to get to his feet.
Parker leapt onto the moving walkway and jogged over to help him up. âThat was hilarious.â
âJerk,â said Chase, rubbing his hip where he had landed.
âIt was just a guess, but I figured youâd probably never used a transway.â
âI canât even tell that itâs moving,â said Chase, looking down at the stationary floor as his feet traveled forward.
âItâs a current moving through a layer of adamantine,â explained Parker. âSee the blue lights along the wall? Thatâs how you know itâs a transway. Donât step over the line in the middleâthat sideâs moving the other direction.â He grinned. âCome on.â
They set off at a brisk pace down the long hallway, passing a few standing passengers who paid them no attention. There was a wide opening at the end of the tunnel, and this time Parker gave a warning when the transway was about to end. They stepped off as they exited the tunnel and stopped for their first real look at Mircona.
Although there obviously had to be a ceiling somewhere, the interior of the building had been created to make it appear as though they were standing in the middle of an open park under a wide blue sky. A few ragged clouds drifted past on a gentle wind. In the distance they could see trees and benches, and a couple picnicking on a hill.
âThis is amazing,â breathed Parker.
âClear out, youâre blocking the way!â screeched a high voice, and both boys jumped and moved aside to make way for an angry old woman who huffed past them. Chase glanced back at the transway tunnel. From the park side, it was camouflaged as an arched entrance to a small brick building.
âCome on,â said Parker. The boys started down a paved path that led across the park and toward a large stone building. When they entered, they found themselves in another transway.
âArenât we going to get lost?â asked Chase as they moved down the tunnel.
âAbsolutely not. Step right. This is going to split.â
Chase tried to commit their path to memory so that he could find his way back, but the transway split several times, and soon he was utterly disoriented. When they finally reached the end of the last tunnel, they stepped out into a quaint street lined with small eateries and storefronts. There were no vehicles here, only people who bustled along under the slanting sunlight, haggling with street vendors and filling the tables of small cafés.
As they walked, Chase looked around at the shops and the street vendorsâ wares on display. He tried to open himself up to the surroundings, to loosen his mind so that there was a place for an image or a sound, anything , to fit. He was watching a woman in a long dress scooping amber crystals into a paper cone, and nearly crashed into Parkerâs back because he didnât see that he had stopped. Parker was looking down at a display of random, tarnished junk laid out on a dirty blanket. A sallow man sat cross-legged behind his merchandise.
âWant something special for yourself?â the man asked, waving his hands over the blanket. âTake a closer look, son.â
Parker crouched down to examine the items, picking up several different thingsâa flat metal box, a triangular badge of some sort, and an instrument that looked distantly related to a harmonica.
âHow much for this?â he asked, pointing to a slim knife in a green sheath.
The man jutted out his lower lip. âThatâs genuine Falasian craftsmanship, sharp enough to shave an atom off an apple. Canât give that one away for a song.â
âTry me,â said Parker.