Sonia. ‘It was good.’
‘But that was all right, because she was black?’ said Patrick, and laughed aloud at the political minefield he had invited them into.
‘Let’s not start,’ said Mary. ‘We’ll be here all night.’
‘Right,’ said Patrick, having made his point.
‘It’s too late anyway,’ said Roy, summing up, as he generally did. Calm, large, unflappable, one of the world’s natural arbiters. ‘We’ve already agreed on Sarah’s play.’
‘But,’ Sonia directed them, ‘I do think we should at least remember that it is the story of girls all over the world. As we sit here. Hundreds of thousands. Millions.’
‘But it’s too late,’ said Roy.
Mary remarked, ‘I don’t think the French are in on it because they like the idea of a good cry. They don’t see it as a weepy. When I talked to Jean-Pierre on the phone yesterday about the publicity, he said Julie was born out of her time.’
‘Well, of course,’ said Sarah.
‘Jean-Pierre says they see her as an intellectual, in their tradition of female bluestockings.’
‘In other words,’ said Roy, ending the meeting by standing up, ‘we shouldn’t be having this conversation at all.’
‘What about the American sponsors?’ demanded Patrick. ‘What have they agreed to? I bet not a French bluestocking.’
‘They bought the package,’ said Sarah.
‘I can tell you this,’ said Patrick. ‘If you did Stephen Whatsit’s play there wouldn’t be a dry eye in the house.’
As Mary and Roy went banging off down the wooden stairs, they sang, ‘“She Was Poor but She Was Honest”,’ and Patrick actually hadtears in his eyes. ‘For goodness sake!’ said Sarah, and put her arms around him. As people did so often: There there! He complained they patronized him, and they said, But you need it, with your wounded heart always on view. All this had been going on for years. But things had changed…Sonia wasn’t going to spoil him. Now, at the foot of the stairs, she looked critically at Patrick who—always ornamental, and even bizarre—was today like a beetle, in a shiny green jacket, his black hair in spikes. But Sonia, in the height of fashion, wore black full Dutch-boy trousers, a camouflage T-shirt from army surplus and over it a black lace bolero from some flea market, desert boots, a jet Victorian choker necklace, many rings and earrings. Her hair, in a variation of a 1920s shingle, was in a tight point at the back, and in front in deeply curving lobes, like a spaniel’s ears. But her hair was seldom the same for more than a day or two. Her get-up did not please Patrick. He had already been heard shrilly criticizing her for lack of chic. ‘Being a freak isn’t smart, love,’ he had said. To which she had replied, ‘And who’s talking?’
Sarah did not go to bed on the night before she was due to meet Stephen Ellington-Smith. For one thing, she had not finished cleaning until three in the morning. Then she decided to do the programme notes after all. Then she reread Julie’s journals, preparing herself for what she believed would be a fight with Julie’s Angel.
‘Look,’ she imagined herself saying, ‘Julie never saw herself as a victim. She saw herself as having choice. Until 1902 and her mother’s death, she could have gone home to Martinique. Her mother actually wrote saying she was welcome any time. There’s even a rather silly letter from her half-brother, who took over the estate when the father died, making jokes about their relationship; it was insulting in a sort of schoolboy way. He said the father had told him to “look after” Julie. But she didn’t reply. She wondered whether she should be a prostitute—don’t forget this was the time of les grandes horizontales .But she said she had no taste for luxury, and that did seem to be essential for a high-class tart. She was offered a job as a chanteuse in a nightclub in Marseilles, but she said it would be too emotionally demanding, she would