us.â
âI have no idea. Does anyone? I was once in love with a German.â She sipped some whisky.
âYou
were
? When? What was his name?â
âWhen I lived in Louzac, in 1933âI was fourteen. He was called Rolfe and I thought he was very dashing.â
âAndâ¦? Did he break your heart? Did you break his?â
She smiled, but before she could answer, Duncan Kennaway butted in. âSir, the forecast for tomorrow is not good, not good at all. Instead of doing more fieldwork training, why donât we switch to codes?â
âAnd use the room overlooking the pinesâ¦?â I asked, nodding. âGood ideaâyes. Thanks, Duncan. Make sure the one-time pads are available, will you, please?â
âSure. Weâve had a couple of messages from Roland Kemp in Paris, by the way. A list of current French phrases doing the rounds, and a list of collaborationist restaurants and cafés that our agents should steer clear of.â
He handed over a few decoded telegrams.
âHowâs your mother?â I asked.
âAs well as can be expected, sir. Arthritis doesnât go away.â
âI can probably do without you tomorrow, if that helps.â
âThatâs very kind, sir, but my mother is well looked afterâand sheâll bark at me if I turn up at home when she knows I should be here. A Presbyterian with arthritis is never easy-going and, to be frank, sir, Iâm more frightened of her than I am of you.â
I laughed and so did Madeleine.
âIâll leave you laughing, if I may, sir. Iâm off to bed now, so Iâll wish you both goodnight.â
He turned and was gone. All either of us could do was call out âGoodnightâ to his back.
I looked at my watch. âItâsââ
âGone eleven, I know.â
She turned and looked down at the coals in the fireplace. âAnd thisfireâs going out.â She bent down and kicked some of the few remaining coals with her shoe. They flared into life, but it wouldnât last.
She turned back to me. âWe were interrupted and I never finished telling you about Rolfe. Rolfe didnât break my heart, nor I his,â she said softly. âHe was a dog, my first pet, a German shepherd, who howled at the moon. He was a bit like you in one wayâhe looked ferocious, a bit knocked about, as if heâd been in a few fights, but he was really an old softie.â
âI think you are about to get on my wrong side.â
âRelax, Colonel. Youâll know when that happens.â
She swallowed some whisky and I watched as her throat moved. âHave you ever seen any of Riefenstahlâs films?â
âI saw both of the well-known ones, the one about the Nazi Party rally, and the one about the Olympic Games.â
âAnd?â
âThe Nuremberg rally film wasâwell, it was impressive and scary all at the same time. They say there were a million people who turned out for that occasion.â
âShe shot two hundred and fifty miles of film for the Olympic Gamesâisnât that a-ma-zing?â
I raised my glass to Madeleine. âYouâre impressive, tooâknowing all those details.â
Iâd never met anyone quite like Madeleine before, a bundle of talents and surprises, who was as easy on the ear as she was on the eye, and who seemed to grow more beautiful by firelight, when flickering shadows moved over her skin like clouds on a hillside.
âWhy does Riefenstahl fascinate you so much?â
She shrugged. âI like the way she breaks all the rules. When she started out as an actress, she toured with Max Reinhardt. He was the best director of his day, in 1920s Germany, but he was Jewish. It didnât matter then, not to her. But then she read
Mein Kampf
, Hitlerâs book, and she fell for him, intellectually and emotionally. She wrote to him, asking to meet himâand he agreed! Think of that. Now she
Dorothy Calimeris, Sondi Bruner