bounds of territorial waters?
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And how can we talk of order overall
when the very placement of the stars
leaves us doubting just what shines for whom?
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Not to speak of the fogâs reprehensible drifting!
And dust blowing all over the steppes
as if they hadnât been partitioned!
And the voices coasting on obliging airwaves,
that conspiratorial squeaking, those indecipherable mutters!
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Only what is human can truly be foreign.
The rest is mixed vegetation, subversive moles, and wind.
Lotâs Wife
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They say I looked back out of curiosity.
But I could have had other reasons.
I looked back mourning my silver bowl.
Carelessly, while tying my sandal strap.
So I wouldnât have to keep staring at the righteous nape
of my husband Lotâs neck.
From the sudden conviction that if I dropped dead
he wouldnât so much as hesitate.
From the disobedience of the meek.
Checking for pursuers.
Struck by the silence, hoping God had changed His mind.
Our two daughters were already vanishing over the hilltop.
I felt age within me. Distance.
The futility of wandering. Torpor.
I looked back setting my bundle down.
I looked back not knowing where to set my foot.
Serpents appeared on my path,
spiders, field mice, baby vultures.
They were neither good nor evil nowâevery living thing
was simply creeping or hopping along in the mass panic.
I looked back in desolation.
In shame because we had stolen away.
Wanting to cry out, to go home.
Or only when a sudden gust of wind
unbound my hair and lifted up my robe.
It seemed to me that they were watching from the walls of Sodom
and bursting into thunderous laughter again and again.
I looked back in anger.
To savor their terrible fate.
I looked back for all the reasons given above.
I looked back involuntarily.
It was only a rock that turned underfoot, growling at me.
It was a sudden crack that stopped me in my tracks.
A hamster on its hind paws tottered on the edge.
It was then we both glanced back.
No, no. I ran on,
I crept, I flew upward
until darkness fell from the heavens
and with it scorching gravel and dead birds.
I couldnât breathe and spun around and around.
Anyone who saw me must have thought I was dancing.
Itâs not inconceivable that my eyes were open.
Itâs possible I fell facing the city.
Seen from Above
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A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of deathâs confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.
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To preserve our peace of mind, animals die
more shallowly: they arenât deceased, theyâre dead.
They leave behind, weâd like to think, less feeling and less world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.
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And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditationâ
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and our death, a death
that always claims the right of way.
The Old Turtleâs Dream
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The old turtle dreams about a lettuce leaf,
when by that leaf, the Emperor appears.
A century hasnât changed him in the least.
To the turtle itâs an ordinary affair.
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The Emperor appears in part, at any rate.
The sun reflects on black shoes right below
two shapely calves in stockings, spotless white.
To the turtle this is just the status quo.
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Two legs paused en route from Austerlitz to Jena,
above them, clouds where thunderous laughter roars.
You may doubt the scene in all its splendor,
and if that well-shod foot could be the Emperorâs.
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Itâs hard to recognize someone from snippets,
from the left foot only or the right.
The turtle doesnât know what he has
Dorothy Calimeris, Sondi Bruner