they were to be put to some extra trouble, namely making up the beds in their old rooms here. You were entirely cordial, smilingââScott, come in out of the rain.ââ He slid a paper out from under one of the pebbles. âYou donât mind if Iâ?â
She waved the back of her hand at him. âIâve been four years off them. Yesterday was aââ
âFluke,â suggested Claimayne. âAn aftershock, a late postcoital shiver.â
âYouâre a filthy old pig.â
âAnd youâve got another . . . fluke, coming, day after tomorrowâright?âso you can come back to yesterday and be their chum .â
âGo to hell.â
Claimayne smiled. âSalomé, unfold this spider for me, that I may look at it in your hand!â
âFuck you, Tetrarch.â
Claimayne laughed softly and opened the paper and stared at it.
Ariel watched his bland face lose all expression as he closed his eyes; he inhaled sharply and his hands gripped the edges of the table as if he were afraid his wheelchair were tipping over; for a full minute neither of them spoke, and finally he sighed and opened his eyes. He focused them on his hands and the table and Ariel in slow succession, and then out across the lawn, and finally he nodded.
The crumpled paper was still in his hand, and he rolled it between his fingers. âDo youââhe paused to clear his throatââhave a lighter?â
âNo. I quit smoking too, you recall.â
âWise, wise.â He dipped the rolled paper into his coffee, held it there a moment, then lifted it out, squeezed it into a ball, and tossed it into his mouth. âNo possible future point for that one, you see,â he said after heâd swallowed it and shuddered a bit.
âI should have burned the one I looked at yesterday, as soon as I came down from it. I still could burn it, without looking at it again, never let it have a future point.â
Claimayneâs shoulders twitched in the beginning of a shrug, then slumped. âYouâd still have said what you said, somehow.â
Ariel eyed the remaining slips of paper under the pebbles on the table, then resolutely looked away. Softly she asked, âWhy do we do it?â
âYou remember.â
âNot in words.â
âItâs a gap in continuity, time stops, and weâre notâwe donât have any identity.â His smile now seemed forced, and there was a misting of sweat on his smooth forehead.
She shook her head. âFor no more than a couple of minutes, at most! And then weâreâright the hell back where we were before.â
âAs our clocks reckon it, sure. As a bystander would reckon it. But that gapâah, Ariel, that gap is infinite! Our departure and return are two points very close together in time, but remember that thereâs an infinity between any two points.â
The creaking of the house stopped, and the balcony shifted under their chairs; then the faint squeaks and prolonged groans began again.
Ariel was on her feet and stepping into the doorway. She grabbed the handles of Claimayneâs wheelchair, but he slapped at the hand he could reach.
âThe house isnât going to collapse, my dear. Stop shaking me and sit down.â
âMaybe not, but the balconyâs going to fall off!â
Claimayne grinned at her. âImpossible! If it did, weâd be killed,and then who would look at your spider from yesterday, and retroactively welcome Arthurâs children? As long as you donât consummate that exchange, donât do the after, youâre immortal, right?â
Ariel edged cautiously out onto the balcony again and slowly resumed her seat. âNo,â she said, âyou were right, Iâd still have said what I said.â She touched the balcony rail. âThis place is collapsing. Little by little.â
âWellâyou may be right, at that.â
Marguerite Henry, Bonnie Shields