outsideâwhere were you?â I ask them.
âItâs not important,â Cynthia cuts me off. âBut next time,â she tells them, âyou answer when youâre called. Now get a move on and help Victoria unload.â
âIâm itchy,â DeeDee whines. Boy, she better get over that poison ivy quick.
âAll right, then donât carry anything. But show Victoria where things go and donât disturb meâI have some important calls to make.â And she plops herself down in one of those swivel chairs by the phone and starts dialing.
DeeDee and I go out to get our belongings. David has already brought in his load and dumpedit in the middle of the living room. I grab a couple of armfuls and follow DeeDee upstairs. There are these bedrooms on the second floor, all just adorable, freshly painted in sunny colors with starchy curtains on all the windows.
âWhereâs my bedroom?â I ask DeeDee.
âIâll show you,â she says and starts running up another flight of steps. Itâs a short steep flight and you come up right in the middle of a small room. It reminds me of a tent, and I love it. The ceiling is sloping and sort of low on the sides, but I can stand up almost straight in the center with no trouble. Itâs a cozy room and not jammed up with a lot of extra things. Thereâs a neat-looking bed with a sort of antique-looking metal headboard and a nice old wooden dresser. I guess maybe itâs a little too small to be a dresser, but itâs perfect for most of my clothes, and besides, I can hang up the rest in the closet. I donât see a closet, but they have a perfectly good metal rod behind the dresser that gives me plenty of room to hang my stuff, and then I can see exactly what I want without having to bother opening a door. Itâs a little warm in here now, but thatâs probably because the window has been shut. Itâs a nice little window like on a boat, and it doesnât need a curtain or even a shade because itâs too small for people to look in, which makes it very private. I love it. I love it all.
âI love the room,â I tell DeeDee. âItâs so cozy and perfect.â
âIt used to be a storage closet,â she announces and starts downstairs.
âVictoria!â Thatâs my employer calling me, so naturally I answer right away. When my mother is doing it I donât even hear her until the fourth call.
I follow DeeDee down to Cynthiaâs room. Poor Cynthia is sprawled on the bed with a wet rag on her head, looking awful. She motions me closer. Itâs like one of those big dying scenes in the movies.
âHoney, Iâve got a terrible headache.â It seems like an effort for her just to talk.
âCan I get you anything?â I ask.
âDo you want my Teddy to stay with you?â DeeDee asks.
âNo, darling.â Cynthia manages a weak smile. Then she tells me that sheâs taken some painkillers and the best thing she can do is rest and try to sleep. Would I please take the kids and go down and get the stuff we left with the wagon man, and while weâre there could I please pick up a couple of items from the grocery store.
âMaybe youâd better give them lunch before you go,â she says, âand take the dollar on the kitchen table for an ice cream treat for all of you.â
âCould I have a double, Mommy?â DeeDee asks.
âWeâll leave that to Victoria to decide,â shesays, and I kind of like that because it shows she trusts my decisions.
âClose the door on your way out, please,â Cynthia whispers, sinking fast.
We arenât even down the stairs when DeeDee starts pulling on my jeans.
âCan I?â she asks. âCan I? Please?â
Now thatâs the big difference between me and a real mother. A real mother would definitely look at her and not have the vaguest idea what sheâs talking about. âCan
Serenity King, Pepper Pace, Aliyah Burke, Erosa Knowles, Latrivia Nelson, Tianna Laveen, Bridget Midway, Yvette Hines