Myths and Legends of the Celts (Penguin Reference)

Myths and Legends of the Celts (Penguin Reference) by James MacKillop Read Free Book Online Page A

Book: Myths and Legends of the Celts (Penguin Reference) by James MacKillop Read Free Book Online
Authors: James MacKillop
Britain. The Roman city was called Aquae Sulis, enshrining the goddess, and was a destination of international pilgrims. For such a distant province, Aquae Sulis was a city rich in art, especially sculpture, architectural design and religious materials. Extensive excavation in the late twentieth century has made it one of the best known Roman settlements. During the Roman occupation Sulis became conflated with the Roman goddess of wisdom Minerva, not simply identified with her but effectively merged with her. Their names are fused, Sul-Minerva or Sulis Minerva, but as the Celtic portion is always put first we assume the native half of her persona dominated; the many surviving inscriptions encompass both Celtic and Latin forms, separately and together. Linguistically
sul
- is related to the Indo-European root for ‘sun’, which in turn can be linked to the heat of the natural springs. Sulis’s curative waters might be used for a range of conditions, among them the problems of mothers unable to nurse. Additionally, her name was also invoked to wreak vengeance upon enemies of petitioners. A cult statue of Sul-Minerva done as a classical goddess survives to the present, though badly mutilated. The gilded bronze head, once helmeted but now violently separated from the torso, has become one of the most photographed art objects from early Britain.
Two Irish river goddesses, never given visual representation, play leading roles in early literary tradition. They are Boand (whose name may mean ‘she who has white cows’), a deification of the Boyne River, and Sinann of the Shannon River. Although small by continental norms, both rivers are endowed with cultural and historical resonance far greater than the volumes of water they carry. The Boyne, about 70 miles long, runs northeast across three counties, parts of Kildare and Offaly and all of Meath; it empties into the Irish Sea at Drogheda. Ancient monuments abound in its valley, of which the most famous are the passage-graves of Newgrange, Dowth and Knowth, and the Hill of Tara, where the
ard rí
[high king] was crowned. The 224-mile Shannon nearly divides the island vertically and was difficult for early peoples to ford, the best crossing being at Athlone. The last 70 miles of the river, southwest of Limerick, widen into an expansive estuary navigable by vessels of 1,000 tons.
    Imperious and lusty, Boand has such a developed character in early Irish narrative that she is credited with a lapdog, Dabilla. A considerable beauty, she is the sister of an even greater beauty, Bébinn, a patroness of childbirth. While married to Nechtan (whose name derives from the Latin Neptune), Boand has an affair with the Dagda, usually known as the ‘good god’, to produce Angus Óg, the god of poetry. To conceal her adultery, she asks Elcmar, a magician, to be Angus’s foster-father. A confusing alternative version retells the story with the players under assumed names: Boand (now known as Eithne) is married to Elcmar when she succumbs to the charms of Eochaid Ollathair (another name for the Dagda), again producing Angus Óg.
Although the daughter of Lir the sea god, Sinann appears in fewer stories. The best-known tells of her failed attempt to seek knowledge and her associations with the Shannon River, a story strikingly similar to one told of Boand. When Sinann seeks esoteric knowledge at Connla’s Well, she is denied, apparently for having violated certain protocols. In anger, the well rises up and drowns her; Sinann’s body is washed up on the banks of a river, the Shannon, which is then named for her. Boand drowns in two versions. In the first, closer to the story of Sinann, Boand defies the magical powers of the well of Segais, causing the well to rise up, mutilate and drown her. The water from the well, now a river, washes her body away to the sea. In the second, Boand violates a taboo by looking into the well of Sídh Nechtain (bearing the name of her husband), which rises up and

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