Ez Marx, come up to the stage now.â
Mrs. Reilly peers down into the hall. We are sitting near the back with the other kids in our grade, so we have topick our way through the crowd of crossed legs and feet. Mrs. Reilly has put her glasses on to read the program. She frowns.
âLilly and Ez will perform a song by Britney Spears. It is calledââ
âOops! ⦠I Farted Again,â Badman calls out. The boys all around him break up, guffawing like hyenas. They make farting noises under their armpits.
âWhatâs going on down there?â Mrs. Reillyâs voice booms into the microphone. âWhoâs responsible for this noise?â
Thereâs a sudden deathly quiet in the hall.
No one whispers or even scratches an itchy place.
Lilly and I are left standing on stage like cakes going stale.
â
You!
â Mrs. Reilly tears the silence open. Sheâs pointing at Badman, her finger shaking with rage. I stare, fascinated, watching the way her jaw clenches, imagining her teeth locking into position behind the thin line of her mouth. Itâs like watching a snakeâyou want to run, but youâre mesmerized.
âIt was you, wasnât it, Bruce?
You
who made that disgusting comment!â
Badman is staring so hard at the floor, youâd think heâd fall through it.
âStand up, young man.â
He stands, clutching the neck of his guitar.
âTell me, Bruce, do you think you can be so rude to another performer and still have your turn?â Her voice has frozen into ice, quiet and deadly. And then it cracks. âWell, thatâs not how Homeland High School works! Look at you, a seventh grade boy, and still behaving like a infant! Everybody, look at Bruce.â
Three hundred pairs of eyes look at Bruce. I gaze over his head, out the window.
âI want you to apologize to your school, Bruce, for your rude and inconsiderate behavior.â
Badman shifts his feet. His face has turned a dull purple.
âDo you understand the word âapologize,â Bruce?â Mrs. Reilly speaks in slow motion, as if sheâs training a dog. âMaybe this is too hard for you. Can anybody be so kind as to tell Bruce what this very difficult word means? What about one of our little elementary school visitors?â
âSorry,â blurts Bruce.
âI beg your pardon, Bruce,â sneers Mrs. Reilly. âWe didnât hear you.â
âIâm SORRY!â says Badman. His eyes are glittering, catching the sunlight from the window. Heâs holding them wide open so the tears wonât spill. I know that trick.
Mrs. Reilly stares at him. I can see her hesitating. She really wants to stretch out the agony, see if she can totally break his back as well as his tear banks. But another teacher in the hall coughs restlessly and she pulls herself up straight.
âWell, Bruce, we donât accept your apology. Now leave the hall and go to the principalâs office at once. Tell Mr. Phillips that Mrs. Reilly sent you. And leave that guitar here.â
âNo!â yells Bruce. âItâs real expensiveâitâs my fatherâs!â
âDo as I say or you will have another suspension! And you will have to apologize again to the school and to Lilly and Ez for disrupting our concert tryouts.â
âOh, Mrs. Reillyâreally, itâs okay,â I say. âWe donât mind!â
Mrs. Reilly whips around like a cobra striking. âYou be quietâ
I
mind. Now, get out of my sight, Bruce Bradman.â
We watch as Badman carefully leans his guitar against the wall, whispering something to the other kids sitting near it. Heâs probably telling them heâll stick toothpicks up their fingernails if they even breathe on it.
âOUT!â screams Mrs. Reilly.
He pats the guitar one more time and slouches through the door.
âNow, girls, quickly, get on with your song. Weâre running