describe to you, dear sister, some of my other fellow travelers, who provide the only other diversion on this long, straight, monotonous iron road through country that while beautiful in its vast and empty reaches, can hardly be described as scenic. I’ve barely had time yet to acquaint myself with all of the women, but our common purpose and destination seems to have fostered a certain easy familiarity among us—personal histories and intimacies are exchanged without the usual period of tedious social posturing or shyness. These women—hardly more than girls really—are all either from the Chicago area or other parts of the Middle West, and come from all circumstances. Some appear to be escaping poverty or failed romances, or, as in my case, unpleasant “living arrangements.” Hah! While there is only one other girl from my asylum, there are several in our group from other such public facilities around the city. Some are considerably more eccentric even than I. But then it was my observation in the asylum that nearly every resident there took solace in the fact that they could point to someone else who was madder than they. One, named Ada Ware, dresses only in black, wears a widow’s veil, and has perpetual dark circles of grief beneath her eyes. I have yet to see her smile or make any expression whatsoever. “Black Ada” the others call her.
You will, perhaps, remember Martha, whom you met on the sole occasion when you visited me in the asylum. She is a sweet thing, barely two years younger than I, though she seems younger, and homely as a stick. I am forever indebted to her, for it was Martha who was so invaluable in helping me to obtain my liberty.
As mentioned, one other girl from my own institution survived the selection process—while a number of others declined to accept Mr. Benton’s offer. It seemed remarkable to me at the time that they would give up the opportunity for freedom from that ghastly place, simply because they were squeamish about conjugal relations with savages. Perhaps I will live to regret saying this, but how could it be any worse than incarceration in that dank hellhole for the rest of one’s life?
This young girl’s name is Sara Johnstone. She’s a pretty, timid little creature, barely beyond the age of puberty. The poor thing evidently lacks the power of speech—by this I do not mean that she is simply the quiet sort—I mean that she seems unable, or at least unwilling, to utter a word. She and I had, perforce, very little contact at the hospital, and therefore hardly any opportunity to get to know one another. I have a suspicion that this will all change now, for she seems to have attached herself to me and Martha. She sits facing us on the train, and frequently leans forward with tears in her eyes to grasp my hand and squeeze it fiercely. I know nothing of her past or the reason why she was originally confined in the institution. She has no family and according to Martha had evidently been there long before I arrived—ever since she was a young child. Nor do I know who supported her there—as we both know that wretched place was not for charity cases. Martha has intimated that Dr. Kaiser himself, the director of the hospital, volunteered the poor girl for the program as a way of being rid of her—what Father might recognize as a cost-cutting measure—for according to Martha, the girl was treated very much like a “poor relation” in the hospital. Furthermore, though we are hardly free to discuss the matter with the poor thing sitting directly in front of us, Martha has suggested that the child may, in fact, have had some familial connection with the Good Doctor—possibly, we have speculated, she is the product of his own romantic liaison with a former patient? Although one must wonder what kind of man would send his own daughter away to live among savages … Whatever the child’s situation, I find it troubling that she was accepted into this program. She is such a